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Hélène Breschand (born 18 March 1966) is a French harpist, composer and improviser.Breschand leads a career both as a solo artist as well as in ensemble work, playing both a contemporary repertoire and premiering new works as much as she plays improvised music and musical theater. [1]
Although lyric gives depth and meaning to the music, it also stimulates cognitive processes, making it more difficult to fall asleep. Whereas instrumental music focuses on the melody and rhythm, it allows for relaxation without the distraction of lyrics. Research has given evidence for the use of instrumental music in improving sleep quality. [27]
Robert Maxwell (born Max Rosen; April 19, 1921 – February 7, 2012 [1]) was an American harpist, songwriter, and teacher who wrote the music for two well-known songs: "Ebb Tide" and "Shangri-La" (originally a composition entitled "Fantasy for Harp").
Woods’ first solo recording was her original composition, The Harp of Brandiswhiere: A Suite for Celtic Harp, which has been acclaimed as an important contribution to contemporary harp literature. Through instrumental music, Woods tells the story of the harp player Brandiswhiere, a legendary hero who saves the world with the music of his harp.
Auriga (harp and piano) Sergiu Natra. Music For Violin and Harp; Music For Harp and Three Brass Instruments (trumpet, trombone, & French horn) Music for Nicanor (harp, flute, clarinet & string quartet) Commentaires sentimentaux (flute, viola and harp) Two Sacred Songs (soprano, violin, cello, harp & organ) Ancient Walls (trombone & harp)
"Crystal Harp" solid-body (Goas-Stivell, 1987) Alan Stivell was born in the Auvergnat town of Riom.His father, Georges (Jord in Breton) Cochevelou, was a civil servant in the French Ministry of Finance who achieved his dream of recreating a Celtic or Breton harp in the small town of Gourin, Brittany [2] and his mother Fanny-Julienne Dobroushkess was of Lithuanian-Jewish descent.
The 9:37 song, the fourth and final track of the album, was Rush's first entirely instrumental piece. The multi-part piece was inspired by a dream guitarist Alex Lifeson had, and the music in these sections correspond to the occurrences in his dream. The opening segment was played on a nylon-string classical guitar.
The earliest two works composed for flute, viola, and harp are Théodore Dubois's Terzettino (1905) and Claude Debussy's Sonata for Flute, Viola and Harp (1915). The Terzettino is a relatively short work in one movement lasting approximately five minutes, and its main theme is a lyrical, romantic-style melody. [4]
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