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The pedal harp (also known as the concert harp) is a large and technologically modern harp, designed primarily for use in art music. It may be played solo, as part of a chamber ensemble, or in an orchestra .
The rival Érard company responded by commissioning Maurice Ravel to write a piece to display the expressive range of its double-action pedal harp. [2] [n 1] Ravel completed his Introduction and Allegro for a septet of harp, flute, clarinet and string quartet in June 1905, dedicating it to Albert Blondel, director of Maison Érard. [2]
Lyon & Healy pedal harp (1891–95) George W. Lyon, a native of Northborough, Massachusetts; and Patrick J. Healy, born in Mallow, Ireland, founded the company in 1864, after they moved from Boston to start a sheet music shop for music publisher Oliver Ditson.
On pedal harps depressing the pedal one step turns geared levers on the strings for all octaves of a single pitch; most allow a second step that turns a second set of levers. The pedal harp is a standard instrument in the orchestra of the Romantic music era (ca. 1800–1910 CE) and the 20th and 21st century music era.
The claviharp, also known as the harp piano, xenorphica, or Keyboard Harp, is a 19th-century musical instrument that combined a harp with a keyboard. Despite mentions of this instrument in previous centuries ( see Juan Hidalgo [ 1 ] ), Johann Christian Dietz has been recognized as the inventor of the instrument in 1813. [ 2 ]
Piano Grand piano Upright piano Keyboard instrument Hornbostel–Sachs classification 314.122-4-8 (Simple chordophone with keyboard sounded by hammers) Inventor(s) Bartolomeo Cristofori Developed Early 18th century Playing range The Well-Tempered Clavier, first prelude of Book I Played by Kimiko Douglass-Ishizaka Problems playing this file? See media help. A piano is a keyboard instrument that ...
The jacks are similar, but they will benefit from being arranged back to back, since the two [bass] octaves take as much space as four in an ordinary harpsichord [14] Prior to 1980 when Keith Hill introduced his design for a pedal harpsichord, most pedal harpsichords were built based on the designs of extant pedal pianos from the 19th century ...
Over time he had many other harp teachers including Gwendolen Mason. [3] In 1965 he became an oboist and harpist with the BBC Northern Ireland Orchestra. [4] He had been known to be able to skilfully play the pedal harp, neo-Celtic harp, and wire-strung Irish-Bardic harp. Bell served as a professor of harp at the Academy of Music in Belfast. [5]
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