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"Goin' Home" is a song recorded by the English rock band the Rolling Stones. Written by Mick Jagger and Keith Richards, it was the longest popular music song at the time, coming in at 11 minutes and 35 seconds, and was the first extended rock improvisation released by a major recording act.
Jimmy Miller produced the track, and it features session men Nicky Hopkins on piano, Jim Price on brass, and Bobby Keys on saxophone, as well as regular band members Jagger (lead vocals), Richards (backing vocals, guitar), Charlie Watts (drums), Mick Taylor (guitar), and Bill Wyman (bass). "Rocks Off" was released as a single in Japan.
It was another of the famed Some Girls songs to feature just the core members of the Rolling Stones at the time. Jagger performed vocals plus guitar alongside Richards and Ronnie Wood. Wood would also contribute pedal steel guitar to the number, an instrument that also appears on the Some Girls songs "Shattered" and "Far Away Eyes".
At the time of release, he commented: "For me, doing a solo album or a Stones album is all the same, with one proviso: that when I'm writing for the Rolling Stones I don't mind if the song sounds like the ones the Stones do, whereas if I'm writing, but not recording with the Rolling Stones, I don't want the song to contain too many of the ...
For an episode of the 1990 TV music show Beyond The Groove by Jagger collaborator David A. Stewart, Jagger recorded a version of "Memory Motel" without Richards. [2] James Patterson and Peter de Jonge, in their 2002 thriller The Beach House, include a scene set in the Memory Motel and its bar, and refer to the Stones song.
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"You Got the Silver" was the last Stones recording released with Brian Jones's participation, one of his two appearances on the album. He plays autoharp. Jones' autoharp contribution can only be heard clearly on the alternate mix with Jagger on vocals, and it is played only during the section of the verses where the drums join in. Bill Wyman's ...
Jagger commented in a Rolling Stone interview that he wrote the lyrics in the back of a New York cab. Most of Richards' guitar work is a basic rhythmic pattern strumming out the alternating tonic and dominant chords with each bar, utilising a relatively modest phaser sound effect for some added depth.
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