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Alleluia! Alleluia! Sing a New Song to the Lord; Alleluia! Sing to Jesus; Alma Redemptoris Mater; Angels We Have Heard on High; Anima Christi (Soul of my Saviour) Asperges me; As a Deer; As I Kneel Before You (also known as Maria Parkinson's Ave Maria) At That First Eucharist; At the Lamb's High Feast We Sing; At the Name of Jesus; Attende ...
Church Gospel Songs and Hymns, V.E. Howard Publishing (1983) Hymns for Worship (Revised in 1994 with a couple hundred more selections), R.J. Stevens publishing (1987) Praise for the Lord, John P. Wiegand (1992) Songs of Faith and Praise, Alton Howard publishing (1993) Sacred Songs of the Church, W. D. Jeffcoat, Psallo Publications (2007)
The Lutheran Michael Praetorius composed a mass for double choir in the old style, which he published in 1611 in the collection of church music for the mass in Latin, Missodia Sionia. Composers such as Henri Dumont (1610–1684) continued to compose plainsong settings, distinct from and more elaborate than the earlier Gregorian chants. [4]
Mass 2005; Mass for Five Voices; Mass for Four Voices; Mass in F Minor; A Mass of Life; Mass of the Children; Messe de minuit pour Noël; Messe de Nostre Dame; Messe des pauvres; Messe des pêcheurs de Villerville; Misa a Buenos Aires; Missa angelica; Missa aulica; Missa Caput; Missa Concertante; Missa cuiusvis toni; Missa Dona nobis pacem ...
Liturgical music originated as a part of religious ceremony, and includes a number of traditions, both ancient and modern.Liturgical music is well known as a part of Catholic Mass, the Anglican Holy Communion service (or Eucharist) and Evensong, the Lutheran Divine Service, the Orthodox liturgy, and other Christian services, including the Divine Office.
The Mass was well received by many US Catholic cleric and is said to have furthered their acceptance of Sacrosanctum Concilium. [4] Mary Lou Williams, a Black Catholic composer, had completed her own Mass, Black Christ of the Andes (also known as Mary Lou's Mass) in 1962 and performed it that November at St. Francis Xavier Church in Manhattan.
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These sections, the "proper" of the mass, change with the day and season according to the church calendar, or according to the special circumstances of the mass. The proper of the mass is usually not set to music in a mass itself, except in the case of a Requiem Mass , but may be the subject of motets or other musical compositions.