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2011: Julie Sherman Wolfe and Amy Talkington – Avalon High (Disney Channel) 2012: not awarded; 2013: Anne De Young and Ron McGee – Girl vs. Monster (Disney Channel) 2014: not awarded; 2015: not awarded; 2016: Josann McGibbon and Sara Parriott – Descendants (Disney Channel) 2017: Geri Cole and Ken Scarborough - Once Upon a Sesame Street ...
The Disney Channel Salutes The American Teacher: 1983–97: Samantha Smith Goes to Washington: Campaign '84: 1984: Videopolis: Startracks: 1987–90: Disney's Young Musicians: 1992–98: The Century That Made America Great: 1995: Disney Channel Games: 2006–08: Pass the Plate: 2007–14: Studio DC: Almost Live: 2008: Disney's Friends for ...
Disney Channel France M6: Les Studios Tex, MGM Television Entertainment: International rights owned by Amazon MGM Studios: Gadget & the Gadgetinis: Fox Kids Europe M6 Channel 5: SIP Animation, ABC Family Properties, Fox Kids Europe N.V., Fox Kids International Programming, M6, Channel 5 and Mediatrade S.P.A.
The Family Channel (American TV network, founded 1990) original programming (36 P) Fox Family Channel original programming (38 P) Freeform (TV channel) original programming (5 C, 48 P)
Disney Channel Storytellers is an annual program run by Disney Channel and It's a Laugh Productions which focuses on discovering and developing new talent in series creators and writers for programs on the channel. The salaried program runs for twenty weeks annually and is open to writers who are professionally represented.
So Weird is a television series shot in Vancouver, British Columbia that aired on the Disney Channel as a midseason replacement from January 18, 1999 to September 28, 2001. The series at first centered on teenage girl Fiona "Fi" Phillips (Cara DeLizia) who toured with her rock star mom (Mackenzie Phillips), encountering paranormal activity along the way.
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Don't Look Under the Bed premiered on Disney Channel on October 9, 1999. [ 2 ] [ 4 ] It was the second DCOM to receive a TV-PG rating, due to its scary scenes. [ 3 ] According to Johnson, "There were a number of meetings where we'd talked about the tone and what [Disney] wanted it to be — scary but not too scary.