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Example of a double passing tone in which the two middle notes are a dissonant interval from the cantus firmus, a fourth and a diminished fifth Example of a descending double neighbor figure against a cantus firmus Example of an ascending double neighbor figure (with an interesting tritone leap at the end) against a cantus firmus
In other words, it is a secondary melody played in counterpoint with the primary melody. A counter-melody performs a subordinate role, and it is typically heard in a texture consisting of a melody plus accompaniment. In marches, the counter-melody is often given to the trombones or horns.
The end of a sentence. ¶ Pilcrow: Paragraph mark, paragraph sign, paraph, alinea, or blind P: Section sign ('Silcrow') ⌑ Pillow (non-Unicode name) 'Pillow' is an informal nick-name for the 'Square lozenge' in the travel industry. The generic currency sign is superficially similar | Pipe (non-Unicode name) (Unicode name is "vertical bar ...
In music, counterpoint is a texture involving the simultaneous sounding of separate melodies or lines "against" each other. Counterpoint may also refer to: Music
Analogy – the use of a similar or parallel case or example to reason or argue a point. Anaphora – a succession of sentences beginning with the same word or group of words. Anastrophe – inversion of the natural word order. Anecdote – a brief narrative describing an interesting or amusing event.
About Counterpoint: Today’s political and social climate may be more fragmented than ever. Hear from the experts as they explore different sides of some of the most contentious debates going on ...
Example of a canon in three voices at the unison sung with a text of a German poem, four beats apart. In music , a canon is a contrapuntal ( counterpoint -based) compositional technique that employs a melody with one or more imitations of the melody played after a given duration (e.g., quarter rest, one measure, etc.).
Cambiata, or nota cambiata (Italian for changed note), has a number of different and related meanings in music.Generally it refers to a pattern in a homophonic or polyphonic (and usually contrapuntal) setting of a melody where a note is skipped from (typically by an interval of a third) in one direction (either going up or down in pitch) followed by the note skipped to, and then by motion in ...