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The song is an anthem of Cantonese rock music and one of Beyond's signature songs. [9] It has been adopted for several events in Cantonese-speaking regions, such as the Artistes 512 Fund Raising Campaign for the 2008 Sichuan earthquake, and most prominently as the unofficial anthem of the 2014 Hong Kong protests. [10]
The film consisted of six tracks written by Pa. Vijay, Na. Muthukumar, Kabilan and Madhan Karky, the latter wrote a song in Chinese language. The soundtrack was released at the launch event held in Chennai Trade Centre on 22 September 2011, with Sony Music India distributing the album in digital and physical formats.
Achcham Yenbadhu Madamaiyada is the soundtrack album for the 2016 Tamil film of the same name.Starring Silambarasan and Manjima Mohan in lead roles, the film was directed by Gautham Vasudev Menon and has music composed by A. R. Rahman, collaborating with Silambarasan and Gautham Menon once again, after Vinnaithaandi Varuvaaya (2010).
Chekka Chivantha Vaanam is the soundtrack album, composed by A. R. Rahman with song lyrics by Vairamuthu to the 2018 Tamil film of the same name. The film is directed by Mani Ratnam . The album consist of seven songs out of which "Mazhai Kuruvi" and "Bhoomi Bhoomi" served as the lead singles.
The official audio of Vinnaithaandi Varuvaayaa was released at the BAFTA Awards held at London on 25 December 2009, which was attended by several film personalities, including the lead actors Silambarasan and Trisha, composer A. R. Rahman, lyricist Thamarai, director Gautham Vasudev Menon amongst others attending the event, which also featured a live unplugged performance.
Download QR code; Print/export Download as PDF ... move to sidebar hide. Cantonese music may refer to: The music of Cantonese-speaking peoples, especially: Music of ...
Western-influenced music first came to China in the 1920s, specifically through Shanghai. [7] Artists like Zhou Xuan (周璇) acted in films and recorded popular songs.. When the People's Republic of China was established by the Chinese Communist Party in 1949, one of the first actions taken by the government was to denounce pop music (specifically Western pop) as decadent music. [7]
During the late 1960s and 1970s, Mandarin pop songs were getting more and more popular and became the mainstream of Hong Kong pop. [6] In the 1970s, Hong Kong audiences wanted popular music in their own dialect, Cantonese. Also, a Cantonese song Tai siu yan yun (啼笑姻緣) became the first theme song of a TV drama.
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