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Many Kirtan are structured for more audience participation, where the singer calls a spiritual chant, a hymn, a mantra or a theme, the audience then responds back by repeating the chant or by chanting back a reply of their shared beliefs. [30] [31] A Bhajan, in contrast, is either experienced in silence or a "sing along". [27] [32]
The oral tradition of the Vedas consists of several pathas, "recitations" or ways of chanting the Vedic mantras.Such traditions of Vedic chant are often considered the oldest unbroken oral tradition in existence, the fixation of the Vedic texts as preserved dating to roughly the time of Homer (early Iron Age).
To date, her Namaste video has been viewed and listened to over 4 million times. [15] In 2016, Wai Lana was honored by the Government of India with the prestigious Padma Shri Award [16] for her extraordinary achievements in popularizing yoga globally through her television series, videos, and books. [17]
In 2003, Uttal began the first of several recordings focused on the practice of bhakti yoga (kirtan) for the Sounds True label. These have included: Kirtan! The Art and Practice of Ecstatic Chant, Music for Yoga and Other Joys, Loveland, Dial M for Mantra, and Pranayama, a collaboration with his wife, yoga teacher and bhakti dancer, Nubia Teixeira.
A number of yoga texts, such as the Hatha Yoga Pradipika, the Yoga Kundalini and the Yoga Tattva Upanishads, have borrowed from (or frequently refer to) the Yoga Yajnavalkya. [196] It discusses eight yoga asanas (Swastika, Gomukha, Padma, Vira, Simha, Bhadra, Mukta and Mayura), [197] a number of breathing exercises for body cleansing, [198] and ...
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In the Bhagavad Gita, jnana yoga is also referred to as buddhi yoga and its goal is self-realization. [30] The text considers jnana marga as the most difficult, slow, confusing for those who prefer it because it deals with "formless reality", the avyakta. It is the path that intellectually oriented people tend to prefer. [31]
The first well known figure to promote Buddhist music in China was the translator Zhi Qian, who complied Sung Chants for Sakra Accompanied by Qin Music (Dishi yuerenban zheqin gebai). [62] Most of this early Buddhist music were solemn chants and had no instrumental accompaniment. [62]