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Gilded frame ready for burnishing with an agate stone tool Application of gold leaf to a reproduction of a 15th-century panel painting. Gilding is a decorative technique for applying a very thin coating of gold over solid surfaces such as metal (most common), wood, porcelain, or stone. [1] A gilded object is also described as "gilt".
French ormolu mantel clock (around 1800) by Julien Béliard (1758 – died after 1806), Paris.The clock case by Claude Galle (1758–1815) Ormolu (/ ˈ ɔːr m ə ˌ l uː /; from French or moulu 'ground/pounded gold') is the gilding technique of applying finely ground, high-carat gold–mercury amalgam to an object of bronze, and objects finished in this way.
Gold leaf squares were used on paper, with their edges sometimes left visible. [34] These rooms had rather small windows, and the gold reflected light into the room; ceilings might be decorated the same way. [35] The full background might be in gold leaf, or sometimes just the clouds in the sky. [36] The Rinpa school made extensive use of gold ...
A gold nugget of 5 mm (0.2 in) in diameter (bottom) can be expanded through hammering into a gold foil of about 0.5 m 2 (5.4 sq ft). The Toi gold mine museum, Japan.. Gold leaf is gold that has been hammered into thin sheets (usually around 0.1 μm thick [1]) by a process known as goldbeating, [2] for use in gilding.
Gold leaf is applied to a frame. Once major structural treatments have been performed and the gesso layer stabilized, it is necessary to assess the bole layer of the frame. Bole is a mixture of colored clay, glue size, and fat, which is applied on the frame as a base coat for the gilding. [4]
The term mosaic gold has also been used to refer to ormolu [3] and to cut shapes of gold leaf, some darkened for contrast, arranged as a mosaic. [4] The term bronze powder may also refer to powdered bronze alloy. A recipe for mosaic gold is already provided in the 3th century A.D. treatise Baopuzi, composed by the Chinese alchemist Ge Hong. [5]
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