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Ashob is regarded by scholars as an important historical genre in Persian, Urdu and Turkish literature used by the writers to express their anguish and sorrows over political and social shifts. [4] [5] The Ashobs generally describe emotional and thoughts of a writer in a narrative poetic format based on several features. [6]
Apathy, also referred to as indifference, is a lack of feeling, emotion, interest, or concern about something. It is a state of indifference, or the suppression of emotions such as concern, excitement, motivation, or passion. An apathetic individual has an absence of interest in or concern about emotional, social, spiritual, philosophical ...
He wrote books, including poetry on various subjects such as literature, social issues and politics in Hindko, Pashto and predominantly in Urdu language. Some of his publications appear about universal values and humanism. Farigh was born in British India (in modern-day Peshawar, Pakistan).
Rekhta is an Indian web portal started by Rekhta Foundation, a non-profit organisation dedicated to the preservation and promotion of the Urdu literature. [4] The Rekhta Library Project, its books preservation initiative, has successfully digitized approximately 200,000 books over a span of ten years. [5]
Ahmad Faraz is included in the long list of revolutionary poets of Urdu language and is "acclaimed as one of the most influential modern Urdu poets of the last century." [ 2 ] [ 9 ] [ 5 ] "This felicity with words is evident in much of Faraz's work, as is an economy of expression, along with an ability to wrap layers of meaning into brief lines ...
Matthews published a number of works relating to Urdu literature, [5] including many translations of significant classical Urdu works. [6] One of his major interests was poetry. His 70 works have appeared in 250 publications in 4 languages and 2091 library holdings. [5] The Courtesan of Lucknow [7] Umrao Jan Ada [8] [9] Urdu Literature [10]
Angarey or Angaaray (translated alternatively as "Embers" or "Burning Coals") is a collection of nine short stories and a one act play in Urdu by Sajjad Zaheer, Rashid Jahan, Mahmud-uz-Zafar and Ahmed Ali first published in 1932 and generally considered to have marked the beginning of the Progressive Writers' Movement in Indian literature.
Literature written in Hindi-Urdu was not common prior to the 1700s. [14] In North India, rich literary cultures existed in Awadhi and Brajbhasha, with earliest Awadhi texts dating to the 14th century. [15] In Delhi, poets wrote in Persian, while Rekhta/Hindvi (what is now recognizable as Hindi-Urdu) did not have the same literary recognition. [16]