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Trust us: Picking just 20 episodes was no easy feat for a show that helped pave the way for genre fare in the mainstream. But luckily we weren’t under […] Buffy's 20 Best Episodes, Ranked!
Buffy the Vampire Slayer is an American television series created by Joss Whedon that premiered on March 10, 1997. It concluded on May 20, 2003, after seven seasons with 144 episodes in total, plus an unaired pilot episode. The first five seasons aired on The WB, and in 2001, it transferred to UPN for its final two seasons. [1]
Ranked #40 in Screen Rant's "The 50 Best TV Shows Of All Time, Ranked" [223] Ranked #40 in Variety ' s "100 Greatest TV Shows of All Time" [224] Ranked #41 on TV Guide ' s list of 50 Greatest TV Shows of All Time; Ranked #49 by Writers Guild of America on their list of the "101 Best Written TV Series Of All Time" [225] Listed in Time magazine's ...
Vox ranked it at #132 on their "Every Episode Ranked From Worst to Best" list of all 144 episodes (to mark the 20th anniversary of the show), writing, "By 1997, the student/teacher love affair was already a well-worn teen soap trope, and "Teacher's Pet"'s twist of having the teacher be a literal predator is only mildly clever." However, "the ...
Rolling Stone ranked "Never Kill a Boy on the First Date" at No. 132 on their "Every Episode Ranked From Worst to Best" list, nothing the "challenge of Buffy balancing her life as a Slayer and her life as a teenage girl who wants to date will continue to play a greater role in the show, but its first exploration begins here," adding that "the ...
Vox ranked this episode at #25 out of the 144 Buffy episodes, in honor of the 20th anniversary of the show, saying, "When Buffy’s voice cracks as she says, 'Giles, I’m 16 years old. I don’t want to die,' the show moves out of its goofy camp mode and into tragic horror, in the kind of tonal transition it would perfect over the next season."
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Vox ranked it at #56 on their "Every Episode Ranked From Worst to Best" list, calling it "mostly a functional season premiere that cleans up some of the horror of season two," but also "a smooth, well-oiled machine: The story beats are well-balanced, the tone is assured, and the central cast knows exactly how to do what it’s doing." [5]