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Edomoji (Japanese: 江戸文字, えどもじ) (or edo-moji) are Japanese typefaces invented for advertising during the Edo period.The main styles of edomoji are chōchinmoji, found on paper lanterns outside restaurants; higemoji, used to label kakigōri and drinks like ramune and sake; kagomoji, literally "cage letters"; kakuji, a thick and rectangular seal script; kanteiryū, often used on ...
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Japanese calligraphy (書道, shodō), also called shūji (習字), is a form of calligraphy, or artistic writing, of the Japanese language. Written Japanese was originally based on Chinese characters only , but the advent of the hiragana and katakana Japanese syllabaries resulted in intrinsically Japanese calligraphy styles.
The typical samurai education included the martial arts, from which Kaioku's physical frailty exempted him, and Confucian philosophy, the Chinese classics, calligraphy and painting. He exhibited outstanding talent in calligraphy, and his uncle, who was a priest of the Kōyasan Shingon-shū on Mount Kōya , encouraged his interest in the writing ...
Bokujinkai (墨人会, “People of the Ink,” est. 1952) is a Japanese calligraphy collective, research group, and exhibition society. It was founded by the calligraphers Shiryū Morita, Yūichi Inoue, Sōgen Eguchi, Yoshimichi Sekiya, and Bokushi Nakamura.
Fujiwara no Yukinari (藤原 行成, 972 – January 3, 1028 [1]), also known as Fujiwara no Kōzei, [2] was a Japanese calligrapher (shodoka) during the Heian period. He was memorialized for his prowess in his chosen art by being remembered as one of the outstanding Three Brush Traces ( Sanseki 三跡), along with Ono no Michikaze and Fujiwara ...
Bokuseki is a type of Japanese calligraphy practiced by Zen monks or lay practitioners of Zen meditation. [95] [96] Characterised by freely written bold characters, the style often ignores criteria and classical standards for calligraphy. [97] [98] The brush is moved continuously across the paper creating richly variated lines. [99]
Shotei Ibata (井幡 松亭, Born: 1935) is a Japanese calligrapher and performance artist living in Kyoto, Japan. He is perhaps best known for his public demonstrations of Japanese calligraphy using a huge (up to 6 feet long) brush. He is also notable for his work, "to move calligraphy deeper into the modern world of art."