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Portrait of the family of Sir Thomas More shows English fashions around 1528. Fashion in the period 1500–1550 in Europe is marked by very thick, big and voluminous clothing worn in an abundance of layers (one reaction to the cooling temperatures of the Little Ice Age, especially in Northern Europe and the British Isles).
Children's clothing during the Italian Renaissance reflected that of their parents. In other words, kids dressed exactly like the adults and looked like miniature versions of them. As babies and toddlers, children were all put in dresses to make the potty training process easier for parents or maids.
English opulence, Italian reticella lace ruff, (possibly) Polish ornamentation, a French farthingale, and Spanish severity: The "Ermine Portrait" of Elizabeth I. Fashion in the period 1550–1600 in European clothing was characterized by increased opulence.
St John the Baptist wears his iconographical clothes, but the sainted English kings Edward the Confessor and Edmund the Martyr are in contemporary royal dress. The Wilton Diptych 1395–99. Wool was the most important material for clothing, due to its numerous favourable qualities, such as the ability to take dye and its being a good insulator. [5]
English court dress from the 1660s, made of silver tissue and decorated with applied parchment lace. [4] From the Fashion Museum, Bath. Peter Lely portrays Two Ladies of the Lake Family wearing satin dresses over shifts or chemises with voluminous sleeves. Their hair is worn in masses of ringlets to the shoulders on either side, and both wear ...
1. A simple trimmed lace and cloth dress English/French cut. (1710) 2. Silk dress supported by panniers. Note that there is no central parting to the dress. The low cut neckline is also less ornamented than a contemporary women's would be. (1718) 3. A group scene of a girl and two boys. Boys were breeched at around 5–10.
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