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Outside Romanesque architecture, the art of the period was characterised by a vigorous style in both sculpture and painting. The latter continued to follow essentially Byzantine iconographic models for the most common subjects in churches, which remained Christ in Majesty, the Last Judgment, and scenes from the life of Christ.
Romanesque architecture [1] is an architectural style of medieval Europe that was predominant in the 11th and 12th centuries. [2] The style eventually developed into the Gothic style with the shape of the arches providing a simple distinction: the Romanesque is characterized by semicircular arches, while the Gothic is marked by the pointed arches.
Romanesque art, the art of Western Europe from approximately AD 1000 to the 13th century or later; Romanesque Revival architecture, an architectural style which started in the mid-19th century, inspired by the original Romanesque architecture Richardsonian Romanesque, a style of Romanesque Revival architecture named for an American architect
To avoid the term Pre-Romanesque, which is often used with a much broader meaning than is generally suited to refer to early Medieval and early Christian art, and in Spain may also refer to the Visigothic, Asturias, Mozarabic and Repoblación art forms, Puig i Cadafalch preferred to use the term "First Romanesque" or "first Romanesque art" to ...
This is a list of artists active within the Romanesque period of Western Art. As biographical information often is scarce about artists from this age, many are anonymous or known only by later notnames .
Italy's architecture spans almost 3,500 years, from Etruscan and Ancient Roman architecture to Romanesque, Gothic, Renaissance, Baroque, Rococo, Neoclassical, Art Nouveau, Fascist, and Italian modern and contemporary architecture. [1]
The walls of Romanesque churches were rarely left bare. Many Romanesque church interiors were painted with cycles of illustrations of Biblical stores. Sometimes the topics were of local interest; the paintings at Saint-Martin-de-Vic illustrate how the monks of Tours stole relics from the Monastery of Poitiers. The paintings were not limited to ...
The Natural History Museum, London designed by Alfred Waterhouse, 1879, on the other hand, is a Romanesque revival building which makes full use of the decorative potential of Romanesque arcading and architectural sculpture. The Romanesque appearance has been achieved while freely adapting an overall style to suit the function of the building.