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) is an 1897–98 painting by French artist Paul Gauguin. The painting was created in Tahiti and is in the Museum of Fine Arts in Boston , Massachusetts. Viewed as a masterpiece by Gauguin, the painting is considered "a philosophical work comparable to the themes of the Gospels ".
Eugène Henri Paul Gauguin (/ ɡ oʊ ˈ ɡ æ n /; French: [øʒɛn ɑ̃ʁi pɔl ɡoɡɛ̃]; 7 June 1848 – 8 May 1903) was a French painter, sculptor, printmaker, ceramist, and writer, whose work has been primarily associated with the Post-Impressionist and Symbolist movements.
Merahi metua no Tehamana (English Tehamana Has Many Parents or The Ancestors of Tehamana) is an 1893 painting by the French artist Paul Gauguin, currently in the collection of the Art Institute of Chicago. [1] The painting is a portrait of Paul Gauguin's wife Teha'amana during his first visit to Tahiti in 1891–1893. This marriage has always ...
The Green Christ (in French: Le Christ vert) is an oil on canvas painting executed by Paul Gauguin in the Autumn of 1889 in Pont-Aven, Brittany. Together with The Yellow Christ, it is considered to be one of the key-works of Symbolism in painting. It depicts a Breton woman at the foot of a calvary, or sculpture of Christ's crucifixion ...
The Yellow Christ (in French: Le Christ jaune) is a painting executed by Paul Gauguin in 1889 in Pont-Aven. Together with The Green Christ, it is considered to be one of the key works of Symbolism in symbolic mythological paintings of the older era as represented by Symbolism. Gauguin first visited Pont-Aven in 1886.
The Talisman, by Paul Sérusier, one of the principal works of the Synthetist school. Synthetism is a term used by Post-Impressionist artists like Paul Gauguin, Émile Bernard and Louis Anquetin to distinguish their work stylistically from Impressionism. Earlier, Synthetism has been connected to the term Cloisonnism, and later to Symbolism. [1]
Paul Gauguin (1848–1903) was a leading 19th-century Post-Impressionist artist, painter, sculptor, printmaker, ceramist and writer.His bold experimentation with color directly influenced modern art in the 20th century while his expression of the inherent meaning of the subjects in his paintings, under the influence of the cloisonnist style, paved the way to Primitivism and the return to the ...
Paul Fort's Théâtre d'Art first produced the play in Paris on 20 May 1891, at the Théâtre du Vaudeville, as part of a program of poetry readings and short plays to benefit Paul Verlaine and Paul Gauguin. Maeterlinck recalled in his memoirs that if the program went on too long, then the play was to be removed. [5]