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Existential nihilism is the philosophical theory that life has no objective meaning or purpose. [1] The inherent meaninglessness of life is largely explored in the philosophical school of existentialism, where one can potentially create their own subjective "meaning" or "purpose".
Non-being can neither be part of the being-in-itself nor can it be as a complement of it. Being-for-itself is the origin of negation. The relation between being-for-itself and being-in-itself is one of questioning the latter. By bringing nothingness into the world, consciousness does not annihilate the being of things, but changes its relation ...
Nihilism thus defined is therefore not the denial of higher values, or the denial of meaning, but rather the depreciation of life in the name of such higher values or meaning. Deleuze therefore (with, he claims, Nietzsche) says that Christianity and Platonism , and with them the whole of metaphysics, are intrinsically Nihilist.
In literature, the Void often serves as a metaphor for existential despair, the search for meaning, or the confrontation with the unknown. Samuel Beckett's Waiting for Godot (1953) is a quintessential example, where the Void is both literal and metaphorical. The play's setting is a barren, empty landscape, and the characters are caught in an ...
Nothing, no-thing, or no thing, is the complete absence of anything as the opposite of something and an antithesis of everything. The concept of nothing has been a matter of philosophical debate since at least the 5th century BC.
The line of inquiry in Purity and Danger traces the words and meaning of dirt in different contexts. What is regarded as dirt in a given society is any matter considered out of place. (Douglas took that lead from William James.) She attempted to clarify the differences between the sacred, the clean and the unclean in different societies and ...
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Generally, the essay introduces three of Poe's theories regarding literature. The author recounts this idealized process by which he says he wrote his most famous poem, "The Raven", to illustrate the theory, which is in deliberate contrast to the "spontaneous creation" explanation put forth, for example, by Coleridge as an explanation for his poem Kubla Khan.