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The Theravada Paritta texts are a type of the Dharani texts, providing protective charm through chanting of hymns. According to Buddhist studies scholars Sarah LeVine and David Gellner, Theravada lay devotees traditionally invite the monks into their homes for rites of "protection from evil" and the monk(s) chant the paritrana hymns. [82]
The dhāraṇī is thought to have originally been a recitation of names and attributes of Harihara (a composite form of the Hindu gods Vishnu and Shiva; Nīlakaṇṭha 'the blue-necked one' is a title of Shiva) said to have been recited by Avalokiteśvara, who was sometimes portrayed as introducing popular non-Buddhist deities (e.g. Hayagriva ...
In the Pali literature, these short verses are recommended by the Buddha as providing protection from certain afflictions. The belief in the effective power to heal, or protect, of the sacca-kiriya, or asseveration of something quite true is an aspect of the work ascribed to the paritta.
A Buddhist chant is a form of musical verse or recitation, in some ways analogous to the religious musics and hymns of other faiths. There are numerous traditions of Buddhist chanting, singing, and music in all three major schools of Buddhism: Theravada, East Asian Buddhism, and Himalayan Vajrayana.
The chanting of this dhāraṇī is one of the most popular and famous piece of Buddhist music in Chinese-speaking countries and in Vietnam. Its popularity is probably due to the fact that it sung by famous Asian performers among Buddhists, such as the Nepalese-Tibetan bhikkhunī Ani Chöying Drölma, or the Malaysian-Chinese singer Imee Ooi. [f]
In his attempt to recite his notes, Homer unknowingly babbles the chant. [24] 2019 – The documentary film, Buster Williams, From Bass to Infinity, directed by Adam Kahan. Jazz bassist Buster Williams is a Buddhist practitioner and chants with his wife during the film. [25] [better source needed]
"pervading the body with the pure state of mind (the fourth jhana)" "attending to the conception of light, and developing a bright mind" "grasping the reviewing-sign and recollecting what he attends to" "reviewing the body as full of various kinds of impurity" "reviewing the body by way of the six elements"
The Shurangama or Śūraṅgama mantra is a dhāraṇī or long mantra of Buddhist practice in East Asia. Although relatively unknown in modern Tibet, there are several Śūraṅgama Mantra texts in the Tibetan Buddhist canon. It has strong associations with the Chinese Chan Buddhist tradition.