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Sanskrit prosody or Chandas refers to one of the six Vedangas, or limbs of Vedic studies. [1] It is the study of poetic metres and verse in Sanskrit. [1] This field of study was central to the composition of the Vedas, the scriptural canons of Hinduism; in fact, so central that some later Hindu and Buddhist texts refer to the Vedas as Chandas.
Laghu Parashari, also known as Jataka Chandrika, is an important treatise on Vimshottari dasha system and is based on Bṛhat Parāśara Horāśāstra.Written in Sanskrit in the usual Sloka format, it consists of forty-two verses divided into five chapters.
In many cases, the Laghu-Prabandha-Saṅgraha version appears to be the oldest, being simpler, less polished, and more archaic in language. [5] This does not mean that the compiler of the Laghu-Prabandha-Saṅgraha was the original writer of the stories: he may have borrowed the stories from older literature or oral tradition. [6]
Katha (or Kathya) is an Indian style of religious storytelling, performances of which are a ritual event in Hinduism. It often involves priest -narrators ( kathavachak or vyas ) who recite stories from Hindu religious texts , such as the Puranas , the Ramayana or Bhagavata Purana , followed by a commentary ( Pravachan ).
Through the 1960s, under its founding editor Balkrishna Rao and later under Rajendra Awasthi, Kadambini and a few other leading publications of the time, started publishing short stories (laghu katha) by leading writers like Agyeya, Mahadevi Verma, Kunwar Narayan and Ramanada Doshi.
He reveals it at the end of Prakeernaka Sangraha Katha saying, " Accepting respectfully the order of our lord in his supremacy and ultimate kindness, Bhasaye jothaye Dhammang, Pali: "භාසයේ ජෝතයේ ධම්මං" the bright Dhamma and even if it is absolutely hard to find such rare higherst excellencies (Buddhas), super ...
Shortly thereafter he began a campaign to raise literary standards for the Sinhalese reading public with work such as Sahityodaya Katha (1932), Vichara Lipi (1941), Guttila Geetaya (1943) and Sinhala Sahityaye Nageema (1946) in which he evaluated the traditional literally heritage according to set rules of critical criteria formed by ...
The original text is not extant, but the work has been widely revised and translated such that there exist "over 200 versions in more than 50 languages." [2] The actual content of these versions sometimes differs greatly. The lists of stories in a few notable versions are compared below.
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