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This is a list by date of birth of historically recognized American fine artists known for the creation of artworks that are primarily visual in nature, including traditional media such as painting, sculpture, photography, and printmaking, as well as more recent genres, including installation art, performance art, body art, conceptual art, digital art and video art.
Pages in category "English landscape artists" The following 200 pages are in this category, out of approximately 208 total. This list may not reflect recent changes .
M. Cesare Maggi; Lilla Maldura; Carlo Mancini; Luigi Mantovani; Mario Vellani Marchi; Pietro Marchioretto; Alessio de Marchis; Pompeo Mariani; András Markó; Károly Markó the Elder
Richard Carline (1896–1980), English artist, writer and arts administrator; Sydney Carline (1888–1929), English landscape painter and war artist; Carlo Carlone (1686–1775), Italian/German painter and engraver; Emil Carlsen (1853–1932), Danish/American painter; John Fabian Carlson (1875–1945), American painter
The Williams family of painters, also known as the Barnes School, is a family of prominent 19th-century Victorian landscape artists known for their paintings of the British countryside, coasts and mountains. They are represented by the artist Edward Williams (1781–1855), his six sons, and several grandchildren. Edward Williams
In 1926 the German art historian Max Jakob Friedländer attributed a group of paintings of the Virgin and Child in a landscape, in identical poses to the "Master of the Embroidered Foliage". The foliage painted in these works was likened by Friedländer to the repeated pattern of stitches in embroidery, thus the unusual name for the artist.
Powerscourt Waterfall by George Barret c. 1755. George Barret Sr. RA (c. 1730 – 29 May 1784) was an Irish landscape artist known for his oil paintings and watercolours.He left Ireland in 1762 to establish himself as an artist in London and quickly gained recognition to become a leading artist of the period.
Robert Morris, Observatorium, Netherlands. The growth of environmental art as a "movement" began in the late 1960s and early 1970s. In its early phases it was most associated with sculpture—especially Site-specific art, Land art and Arte povera—having arisen out of mounting criticism of traditional sculptural forms and practices that were increasingly seen as outmoded and potentially out ...