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Charles Jay Connick (1875–1945) was a prominent American painter, muralist, and designer best known for his work in stained glass in the Gothic Revival style. [2] Born in Springboro, Pennsylvania, Connick eventually settled in the Boston area where he opened his studio in 1913.
The channel runs the length of the came. H-shaped came has 2 back-to-back channels that hold adjoining glass pieces in position on the interior of a stained glass panel. It can also be used as a border came in certain situations. U-shaped came has only one channel and is used as a border around the perimeter of panels.
Came glasswork includes assembling pieces of cut and possibly painted glass using came sections. The joints where the came meet are soldered to bind the sections. When all of the glass pieces have been put within came and a border put around the entire work, pieces are cemented and supported as needed. [1]
Several of the stained-glass windows in the Chapel were designed by Frederick Wilson. [5] The Brigade Chapel boasts a 268-rank organ controlled by one of the largest drawknob consoles in the world (522 drawknobs). The basement level of the chapel houses the crypt of John Paul Jones and St. Andrew's Chapel which is used for smaller services.
The tradition of stained glass manufacture has continued, with mosques, palaces, and public spaces being decorated with stained glass throughout the Islamic world. The stained glass of Islam is generally non-pictorial and of purely geometric design, but may contain both floral motifs and text.
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
Thomas Augustin "Gus" O'Shaughnessy (1870-1956) was an Irish American Celtic Revival designer from Missouri who worked primarily in stained glass.He was employed as a Chicago Daily News staff artist and had earlier studied under stained glass master Louis Millet at the Art Institute of Chicago, then traveled to Europe to perfect his art.
Peter Mollica was a central figure, perhaps the earliest, of a generation of West Coast stained glass artists who emerged in the late 1960s and early ’70s. During his Massachusetts apprenticeship, Mollica was inspired by the contemporary German architectural glass he discovered when reading Robert Sowers’ Stained Glass: An Architectural Art ...
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