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Cupid and Psyche is a rich source for scenarios, and several artists have produced cycles of works based on it, including the frescoes at the Villa Farnesina (ca. 1518) by Raphael and his workshop; frescoes at Palazzo del Tè (1527–28) by Giulio Romano (painter)Giulio Romano; engravings by the "Master of the Die" (mid-16th century); and ...
Bouguereau chose to portray the characters of Cupid and Psyche as young children, almost babies. He painted Psyche with butterfly wings, for psyche was the Greek word given to butterflies by Aristotle. [3] Psyche is a symbol to the transformation of the human soul, as she transforms from human to immortal.
Articles relating to Cupid and Psyche, a story originally from Metamorphoses (also called The Golden Ass), written in the 2nd century AD by Apuleius.The tale concerns the overcoming of obstacles to the love between Psyche and Cupid (also known as Eros), and their ultimate union in a sacred marriage.
The legend of Cupid and Psyche was popular source material for writers and artists in the second half of the 19th century. The story originated in the Roman writer Lucius Apuleius's Metamorphoses, commonly known as The Golden Ass. [1] Psyche dwelt in the golden palace of Cupid, the god of love.
"The Earthly Paradise" by William Morris is an 1868 poem retelling the story of Psyche and Cupid and other myths. "Ode to Psyche" poem by John Keats in 1819 in which the narrator shares his plans to resurrect Psyche. Psyche In A Dress by Francesca Lia Block was published in 2006 as a contemporary retelling of the Psyche myth in poetic prose.
Cupid Crowned by Psyche or Psyche Crowning Cupid is an oil-on-canvas painting executed ca. 1785–1790 by Jean-Baptiste Greuze, now in the Palais des Beaux-Arts de Lille.It shows a scene from the myth of Cupid and Psyche, with a figure of Modesty standing behind Psyche and two cupids in the background placing rose crowns on a bed and throwing incense on a tripod.
The story of Psyche and Cupid is recounted by an old woman to a young girl kidnapped by brigands. Apuleius's version was far too ribald and overtly sexual for the 17th century stage, or even for the 17th century reader, and the story had been adapted to the morals of the time on several occasions.
The relationship depicted in this painting between Cupid and Psyche is inspired by the narrative of the Latin poet Apuleius in The Golden Ass, and was a subject that repeatedly inspired neoclassical painters, sculptors and writers of the late 18th and the early 19th centuries. The gestures of Eros, the god of love, remain measured, almost ...