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Simulacra and Simulation (French: Simulacres et Simulation) is a 1981 philosophical treatise by the philosopher and cultural theorist Jean Baudrillard, in which he seeks to examine the relationships between reality, symbols, and society, in particular the significations and symbolism of culture and media involved in constructing an understanding of shared existence.
Postmodern theorist Jean Baudrillard wrote briefly of nihilism from the postmodern viewpoint in Simulacra and Simulation. He stuck mainly to topics of interpretations of the real world over the simulations of which the real world is composed.
Baudrillard was born in Reims, northeastern France, on 27 July 1929.His grandparents were farm workers and his father a gendarme.During high school (at the Lycée at Reims), he became aware of 'pataphysics, a parody of the philosophy of science, via philosophy professor Emmanuel Peillet, which is said to be crucial for understanding Baudrillard's later thought.
A simulacra or simulacrum is a representation or imitation of a thing or person. Simulacra may also refer to: Simulacra (video game), a 2017 horror video game developed by Kaigan Games. Simulacrum (album), an album composed by John Zorn and released in 2015. Simulacra and Simulation, a 1981 philosophical treatise written by Jean Baudrillard.
A simulacrum (pl.: simulacra or simulacrums, from Latin simulacrum, meaning "likeness, semblance") is a representation or imitation of a person or thing. [1] The word was first recorded in the English language in the late 16th century, used to describe a representation, such as a statue or a painting, especially of a god .
Philosopher Brian Leftow has argued that the question cannot have a causal explanation (as any cause must itself have a cause) or a contingent explanation (as the factors giving the contingency must pre-exist), and that if there is an answer, it must be something that exists necessarily (i.e., something that just exists, rather than is caused ...
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In the Shadow of the Silent Majorities, Or, the End of the Social (French: À l’ombre des majorités silencieuses ou la fin du social) is a 1978 philosophical treatise by Jean Baudrillard, in which he analyzes the masses and their relation to meaning.