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The contrabassoon is a very deep-sounding woodwind instrument that plays in the same sub-bass register as the tuba, double bass, or contrabass clarinet.It has a sounding range beginning at B ♭ 0 (or A 0, on some instruments) and extending up over three octaves to D 4, though the highest fourth is rarely scored for.
There are 13 keys and 2 rings on the tube, and the fingering is the same as for the B ♭ clarinet except for the eight highest semitones. The tone is rich and full except for the lowest notes, which are unavoidably a little rough in quality, but much more sonorous than the corresponding notes on the contrabassoon. This is an octave lower than ...
The contraforte uses a different and wider bore [1] than the contrabassoon to produce a distinct tone; the sound is more even in strength and intonation across registers, remaining quite strong into the high register, unlike a contrabassoon. Also, it lacks the distinct "rattle" of a contrabassoon, although an appropriate reed design can ...
The fingering of the sarrusophone is nearly identical to that of the saxophone. This similarity caused Adolphe Sax to file and lose at least one lawsuit against Gautrot, claiming infringement upon his patent for the saxophone. Sax lost on the grounds that the tone produced by the two families of instruments is markedly different, despite their ...
4 flutes (2 doubling piccolo), 4 oboes (1 doubling English horn), 4 clarinets (one doubling bass clarinet), 3 bassoons (one doubling contrabassoon), 7 horns, 4 trumpets, 3 trombones, 1 tuba, 2 timpanists, percussion, harp, strings The Rite of Spring (Stravinsky)
Contrabass (from Italian: contrabbasso) refers to several musical instruments of very low pitch—generally one octave below bass register instruments. While the term most commonly refers to the double bass (which is the bass instrument in the orchestral string family, tuned lower than the cello), many other instruments in the contrabass register exist.
The contra-alto clarinet [2] is largely a development of the 2nd half of the 20th century, although there were some precursors in the 19th century: . In 1829, Johann Heinrich Gottlieb Streitwolf [], an instrument maker in Göttingen, introduced an instrument tuned in F in the shape and fingering of a basset horn, which could be called a contrabasset horn because it played an octave lower than it.
This property greatly simplifies the fingering of the instrument, in that no alternative fingerings for individual notes or trill keys are needed, nor exist. [1] The lowest note that the reed contrabass may typically achieve is D1 (DD) - the lowest D on a standard grand piano .