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The subject matter of the poetry is the love of Radha and Krishna, on the banks of the Yamuna in Vrindavana; their secret trysts in the forests, Krishna's charms including his magic flute, the love of the gopis for Krishna, Radha's viraha on being separated from Krishna and her anguish on seeing him sporting with the other gopis. Much of the ...
The poem has been translated into most modern Indian languages and many European languages. There is a German rendering which Goethe read by F. H . van Dalberg. Dalberg's version was based on the English translation done by William Jones published in the Transactions of the Asiatic Society , Calcutta in 1792.
Govindadasa (1535–1613), was a Bengali Vaishnava poet known for his body of devotional songs addressed to Krishna. Living in an atmosphere of Krishna-bhakti preached by Sri Chaitanya (1486–1533), he composed extensively on the Radha-Krishna love legend. He is also known as Govindadasa Kaviraja.
The dance begins with a song listing Krishna's heroic deeds and his fondness for Radha, then they dance where sage Narada plays music. Such scenes where cowgirls imitate Krishna's life story are also found in Sanskrit poems of Harivamsa and Vishnu Purana, both generally dated to be older than Cilappatikaram. [56]
Jayadeva (pronounced [dʑɐjɐˈdeːʋɐ]; born c. 1170 CE), also spelt Jaideva, was a Sanskrit poet during the 12th century. He is most known for his epic poem Gita Govinda [2] which concentrates on Krishna's love with the gopi, Radha, in a rite of spring. [3]
With Krishna, Radha is acknowledged as the supreme goddess, for it is said that she controls Krishna with her love. [107] It is believed that Krishna enchants the world, but Radha enchants even him. Therefore, she is the supreme goddess of all. [108] [109] Radha and Krishna are avatars of Lakshmi and Vishnu respectively. In the region of India ...
Chandidas' Shrikrishna Kirtana, a poem on Krishna and Radha, depicts them as divine couple, but in human love. [48] The other 15th–16th centuries Bhakti poet-sants – Vidyapati, Meera Bai, Surdas, Swami Haridas, as well as Narsinh Mehta (1350–1450), who preceded all of them, also wrote about Radha and Krishna love. [49]
The dance begins with a song listing Krishna's heroic deeds and his fondness for Radha, then they dance where sage Narada plays music. Such scenes where cowgirls imitate Krishna's life story are also found in Sanskrit poems of Harivamsa and Vishnu Purana, both generally dated to be older than Cilappatikaram. [32]