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According to musicologist Martin Elste, the most frequently recorded cantatas of Bach have been the virtuoso solo cantatas Jauchzet Gott in allen Landen, BWV 50 for soprano and obbligato trumpet, Ich habe genug, BWV 82 for bass (with alternative versions for soprano, alto or mezzo-soprano) and the so-called "Kreuzstab cantata" for solo bass or bass-baritone Ich will den Kreuzstab gerne tragen ...
God's time is the very best time (Actus tragicus) BWV 106; BC B 18 / Sacred cantata (Funeral)) Bach Digital on Bach digital; Cantata BWV 106 – Gottes Zeit ist die allerbeste Zeit (Johann Sebastian Bach) ChoralWiki; Bach Cantata Gottes Zeit (Actus Tragicus) – BWV 106 score Downloadable score (pdf) with modern clefs by atticbooks, 2016; Brian ...
Ich habe genug (original: Ich habe genung, English: "I have enough" or "I am content"), BWV 82, [a] is a church cantata by Johann Sebastian Bach. [1] [2] [3] He composed the solo cantata for bass in Leipzig in 1727 for the Feast Mariae Reinigung (Purification of Mary) and first performed it on 2 February 1727.
The complete recordings of Bach's cantatas are accompanied by liner notes from musicians and musicologists: Gardiner commented on his Bach Cantata Pilgrimage, Klaus Hofmann and Tadashi Isoyama wrote for Masaaki Suzuki, and Wolff for Ton Koopman. Ambrose, Z. Philip (2012). "BWV 22 Jesus nahm zu sich die Zwölfe". University of Vermont
Gott, man lobet dich in der Stille (God, You are praised in the stillness), [1] BWV 120.1 (previously BWV 120), [2] is a sacred cantata by Johann Sebastian Bach.He composed it in Leipzig for the occasion of Ratswechsel, the inauguration of a new town council in a church service, probably before 1730.
Wachet! betet! betet! wachet! (Watch! Pray! Pray! Watch!) [1] is the title of two church cantatas by Johann Sebastian Bach.He composed a first version, BWV 70a, in Weimar for the second Sunday in Advent of 1716 and expanded it in 1723 in Leipzig to BWV 70, a cantata in two parts for the 26th Sunday after Trinity.
The cantata was first published in 1878 in the first complete edition of Bach's work, the Bach-Gesellschaft Ausgabe. The volume in question was edited by Alfred Dörffel . [ 2 ] [ 4 ] In the Neue Bach-Ausgabe it was published in 1973, edited by Marianne Helms , [ 4 ] with a critical report following in 1989.
The concerto's third movement is used, with trumpets replacing the concerto's horns, and some of the instrumental music is given to the choir. Bach led the first performance on 11 December 1726. [1] The cantata became the basis for a similar work Auf, schmetternde Töne der muntern Trompeten, BWV 207.2. [1]