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"Knee Deep" is a song recorded by American country music group Zac Brown Band with Jimmy Buffett. It was released in May 2011 as the third single from the Zac Brown Band's second major-label album, 2010's You Get What You Give. It reached number-one on the U.S. Billboard Hot Country Songs chart for one week in August 2011. The song is about ...
Joe is widely considered one of the world's most accomplished five-string banjo players in the traditional bluegrass style. Although primarily a Scruggs style player, his playing is also influenced by the work of J.D. Crowe, Sonny Osborne, and Don Reno. Vocal influences are apparent from the Osborne Brothers and Paul Williams.
Terry Baucom (October 6, 1952 – December 7, 2023) was an American bluegrass singer, banjo player, and band leader. He was nicknamed "The Duke of Drive" for his propelling banjo style. He led his band, The Dukes of Drive, and was a founding member of Boone Creek, Doyle Lawson and Quicksilver, and IIIrd Tyme Out. [2]
The group was credited with introducing New England to Bluegrass music. [1] Stover played banjo for Bill Monroe in 1957. Over the period of six months, they produced 11 recordings, including a remake of "Molly and Tenbrooks." The tracks became part of Monroe's 1958 album Knee Deep in Blue Grass. [3]
"(Not Just) Knee Deep" is a song by the American funk band Funkadelic written by George Clinton. [1] The song was released as a single for their album Uncle Jam Wants You (1979). [2] The song is widely regarded as a funk classic, peaking at No. 77 on the Billboard Hot 100 and topping the US R&B charts in 1979. [3]
The first consists of primary banjo players and the second of celebrities that also play the banjo This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
His other grandfather promised to buy Shelor a real banjo if he learned to play two songs. [2] [4] Sam met the challenge, his grandfather bought him a Ventura banjo, and by age 10 Shelor was performing in local bands. [5] Shelor patterned his playing and career after J. D. Crowe, Earl Scruggs, and Sonny Osborne of The Osborne Brothers. [2]
The five songs offered in the EP reminded Funk of alternative bands attempting to play bluegrass music and succeeding beyond expectations. While most of the songs are classically "knee-slapping hoedown" bluegrass, other songs bear some similarities to alternative songs from the 90's. [3]