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Paul O'Neill explained the story behind "Christmas Eve/Sarajevo 12/24" in an interview published on ChristianityToday.com: [2]. We heard about this cello player born in Sarajevo many years ago who left when he was fairly young to go on to become a well-respected musician, playing with various symphonies throughout Europe.
Christmas Eve/Sarajevo 12/24" by Savatage and Trans-Siberian Orchestra "Je l' Sarajevo gdje je nekad bilo" by Dino Merlin "Sarajevo" by Ekatarina Velika "Sarajevo" by Dino Merlin "Sarajevo" by Kultur Shock "Sarajevo ljubavi moja" by Kemal Monteno "Miss Sarajevo" by Bono "Primavera a Sarajevo" by Enrico Ruggeri
Christmas Eve and Other Stories is the debut studio album by American symphonic metal band Trans-Siberian Orchestra. It was released on October 15, 1996, through Lava Records and Atlantic Records. It is the first album in the band's "Christmas trilogy", with The Christmas Attic (1998) and The Lost Christmas Eve (2004) coming
Trans-Siberian Orchestra (TSO [5]) is an American heavy metal band founded in 1996 by producer, composer, and lyricist Paul O'Neill, who brought together Jon Oliva and Al Pitrelli (both members of Savatage) and keyboardist and co-producer Robert Kinkel to form the core of the creative team.
The group would later create a rock version of the song, entitled "Christmas Canon Rock" with Jennifer Cella on lead vocals, which debuted on their 2004 album The Lost Christmas Eve. [ 2 ] As of November 25, 2016, total sales of the digital track stand at 918,000 downloads according to Nielsen SoundScan , placing it seventh on the list of all ...
He managed to leave Sarajevo in 1993, during the second year of the siege that ultimately lasted 1,425 days, from 5 April 1992 to 29 February 1996. [1] He is often mistakenly identified as a member of the Sarajevo String Quartet, which played on throughout the siege. [2] Smailović performing in Sarajevo's partially destroyed National Library ...
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The Lost Christmas Eve is the final installment in TSO's Christmas trilogy. "The record continues the tradition of its two predecessors by telling a musical tale of loss and redemption, this one encompassing a rundown hotel, an old toy store, a blues bar, a gothic cathedral and their respective inhabitants, whose destinies are intertwined by a single enchanted evening in New York City.