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In 2006, the Archive removed all 34,000 tablatures on the site. [5] A note posted on the site indicated that those running the site had received "a 'take down' letter from lawyers representing the National Music Publishers Association and the Music Publishers Association", according to the linked letter on the front page. [6]
It is essentially a modern iteration of the Quint guitar. [5] A guitalele or guitarlele. A guitalele is the size of a ukulele, and is commonly played like a guitar transposed up to “A” (that is, up a 4th, or like a guitar with a capo on the fifth fret). This gives it tuning of ADGCEA, with the top four strings tuned like a low G ukulele. [6]
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
Friedrich Wilhelm Nietzsche [ii] (15 October 1844 – 25 August 1900) was a German classical scholar, philosopher, and critic of culture, who became one of the most influential of all modern thinkers. [14] He began his career as a classical philologist before turning to philosophy.
The Peacock and the Buffalo: The Poetry of Nietzsche, Published July 8, 2010; Dionysian Dithyrambs; Nietzsche’s Last Twenty Two Notebooks: complete [1886-1889] January 2021. Translation by Daniel Fidel Ferrer. Free online. See notebook number 20, there are 168 notes and are almost all poems or poem fragments. 20 [1-168] summer 1888 (Pages ...
The Will to Power (German: Der Wille zur Macht) is a book of notes drawn from the literary remains (or Nachlass) of the philosopher Friedrich Nietzsche by his sister Elisabeth Förster-Nietzsche and Peter Gast (Heinrich Köselitz). The title derived from a work that Nietzsche himself had considered writing.
Nietzsche found in classical Athenian tragedy an art form that transcended the pessimism and nihilism of a fundamentally meaningless world. Originally educated as a philologist, Nietzsche discusses the history of the tragic form and introduces an intellectual dichotomy between the Dionysian and the Apollonian (very loosely: reality as disordered and undifferentiated by forms versus reality as ...
The one lives off the other, the one thrives at the expense of the other. All great cultural epochs are epochs of political decline: that which is great in the cultural sense has been unpolitical, even anti-political. [18] Nietzsche also attributes this decline in the German intellect to problems he saw in higher education in his day.
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