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The Wine Glass, 66.3 x 76.5 cm, c. 1660. Gemäldegalerie, Berlin. The Wine Glass (also The Glass of Wine or Lady and Gentleman Drinking Wine, Dutch: Het glas wijn) is an oil-on-canvas painting by Johannes Vermeer, created c. 1660, now in the Gemäldegalerie, Berlin. [1] It portrays a seated woman and a standing man drinking in an interior setting.
Detail of 12th-century stained glass window in Strasbourg Cathedral; black and white paint has been used on the coloured glass. Secondly it refers to stained glass, used for windows. Here the design is made up using sheets of coloured glass, cut to shape and held in place by lead. The painting is the final stage, typically only in black. [2]
Painting technique used, such as: Oil on canvas; Dimensions: Width and height of the painting in centimeters, such as: 123 cm × 45 cm (48.4 in × 17.1 in) Gallery: Gallery currently owning the painting, or private collection Location: City, Country of the art gallery owning the painting Notes (optional, additional information) Source
The turn of the 19th century was the height of the old art glass movement while the factory glass blowers were being replaced by mechanical bottle blowing and continuous window glass. Great ateliers like Tiffany , Lalique , Daum , Gallé , the Corning schools in upper New York state, and Steuben Glass Works took glass art to new levels.
15th century Norwich glass fragment in St Nicholas, Blakeney. The Norwich School of glassmakers was a mediaeval Norwich-based community of stained glass makers, mostly active between the mid-14th century and the English Reformation, when much of the glass was destroyed as part of the general injunction against stained glass, shrines, roods, statues and bells. [1]
The Girl with the Wine Glass (Dame en twee heren) is an oil-on-canvas painting of the Dutch Golden Age by Johannes Vermeer, created c. 1659–1660, now in the Herzog Anton Ulrich Museum, in Braunschweig.
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The design can be applied by various techniques, often by reverse painting prior to gilding, or by engraving the design into the gilded layer, or even into the glass. When painting an elaborate design such as a flower, the artist's natural methodology is reversed, with highlights applied first and the background applied last.
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