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Clothes moths are attracted to protein fibres, and so are especially drawn to silk, wool, and feathers. An infestation might be identified through the evidence of white cocoons (or the remnants thereof) on the textiles, or of sighting the insects themselves. They are roughly 8 cm (3.1 in) long and white in colour.
The history of this silk art is linked to the Lord Jagannath worship practice which is a tradition in Odisha. Every colour used in the fabric reflects a symbolic concept of Jagannath worship: the four primary colours used in keeping with this tradition are white, black, yellow, and red, with green added at a later date.
Scraps of wool fabric from the Bronze Age and Iron Age have been found in the salt mines of Hallstatt Austria. The fabric scraps were residuals of rags used in the mines. The rags, in turn were scraps from worn out garments. The Bronze age fabrics are relatively coarse in part due to the coarse wool available from the sheep at the time.
Imports of raw silk, silk yarn, and finished fabrics are all recorded, but the techniques of producing these textiles from the silkworm Bombyx mori remained a closely guarded secret of the Chinese until the Emperor of the East Justinian I (482–565) arranged to have silkworm eggs smuggled out of Central Asia in 553-54, [3] setting the stage ...
Textile recycling is the process of recovering fiber, yarn, or fabric and reprocessing the material into new, useful products. [1] Textile waste is split into pre-consumer and post-consumer waste and is sorted into five different categories derived from a pyramid model.
Samite was a luxurious and heavy silk fabric worn in the Middle Ages, of a twill-type weave, often including gold or silver thread. The word was derived from Old French samit , from medieval Latin samitum, examitum deriving from the Byzantine Greek ἑξάμιτον hexamiton "six threads", usually interpreted as indicating the use of six yarns ...
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