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The William Farquhar Collection of Natural History Drawings consists of 477 watercolour botanical drawings of plants and animals of Malacca and Singapore by unknown Chinese (probably Cantonese) artists that were commissioned between 1819 and 1823 by William Farquhar (26 February 1774 – 13 May 1839). The paintings were meant to be of ...
He creates images that are assemblages of items such as colored shoe laces and pins, cut up pieces of color pencils, or electrical wires and components. His work is "constructed and woven in ways, curious and unpredictable, intricate and compulsive. Handcraft is essential to Uribe, who embraces a tradition of exquisitely made objects.
The Mysteries of Nature and Art is a book by John Bate written in 1634. The book acts as a practical guide for amateur scientific experiments, and is divided into four sections: Water Workes ; Fyer Workes ; Drawing, Colouring, Painting and Engraving ; and Divers Experiments . [ 1 ]
An engineering drawing is a type of drawing and is technical in nature, used to fully and clearly define requirements for engineered items. It is usually created in accordance with standardized conventions for layout, nomenclature, interpretation, appearance (such as typefaces and line styles), size, etc.
The medium is not without limitations; color availability and sensitivity of ink to light are among concerns of ballpoint pen artists. [4] The internet now provides a broad forum for artists to promote their own ballpoint creations, and since its inception ballpoint pen art websites have flourished, showcasing the artwork and offering ...
The engravings were also widely reused. The book named the contributing artists and included their portraits. One way of copying precisely was offered by the Herbarium vivum: images were made by pressing ink-coated objects onto paper, leaving impressions; earlier methods used carbon black from soot. Impressions from dried plant materials could ...
An illustration from Jouffret's Traité élémentaire de géométrie à quatre dimensions.The book, which influenced Picasso, was given to him by Princet. New possibilities opened up by the concept of four-dimensional space (and difficulties involved in trying to visualize it) helped inspire many modern artists in the first half of the twentieth century.
In Europe, as John Ruskin said, [30] and Sir Kenneth Clark confirmed, landscape painting was the "chief artistic creation of the nineteenth century", and "the dominant art", with the result that in the following period people were "apt to assume that the appreciation of natural beauty and the painting of landscape is a normal and enduring part ...