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Hasta mudras (hand mudras) may be conducive for meditation, and help in internalization. Many hand mudrās evolved for use in rituals, especially within tantra. Others developed as iconographical symbols for depictions of deities in statues and paintings. Others were developed for non-verbal story telling in traditional dance.
The Kuji-in (九字印), “Nine Hand Seals,” refers to the mudra (hand seals/gestures) associated with the nine syllables themselves, whereas kuji-ho refers to the entire ritual of kuji and encompasses the mudra, mantra and meditation. Kuji-kan (nine syllable visualization) is a specialized form of Buddhist meditation.
Mudra is used in the iconography of Hindu and Buddhist art of the Indian subcontinent and described in the scriptures, such as Nātyaśāstra, which lists 24 asaṁyuta ("separated", meaning "one-hand") and 13 saṁyuta ("joined", meaning "two-hand") mudras. Mudra positions are usually formed by both the hand and the fingers.
In Bharatanatyam, the classical dance of India performed by Lord Nataraja, approximately 48 root mudras (hand or finger gestures) are used to clearly communicate specific ideas, events, actions, or creatures in which 28 require only one hand, and are classified as `Asamyuta Hasta', along with 23 other primary mudras which require both hands and are classified as 'Samyuta Hasta'; these 51 are ...
Two early hatha yoga techniques sought to either physically reverse this process of dripping by using gravity to trap the bindhu in inverted postures like viparītakaraṇī, or force bindu upwards through the central channel by directing the breath flow into the centre channel using mudras (yogic seals, not to be confused with hand mudras ...
The practitioner can use various hand implements such as a vajra, bell, hand-drum or a ritual dagger , but also ritual hand gestures (mudras) can be made, special chanting techniques can be used, and in elaborate offering rituals or initiations, many more ritual implements and tools are used, each with an elaborate symbolic meaning to create a ...
In literal terms they are: madya ('wine'), mamsa ('meat'), matsya ('fish'), mudra ('grain'), and maithuna ('sexual intercourse'). [6] Mudra usually means ritual gestures, but as part of the five Ms it is parched grain. [7] Vamachara traditions place strict ritual limits on the use of these literal forms and warn against nonsanctioned use.
Amrita, divine nectar that drips from the glands in brain onto the tip of tongue and can be trapped using Khechari Mudra: Mamsa: Meat: Control of speech. It symbolizes the Khechari Mudra in which the tongue is swallowed back simulating eating meat. Matsya: Fish: Ida and Pingala Nadis, controlled through pranayama. They are visualised as figure ...
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