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Japanese sculpture. Sculpture in Japan began with the clay figure. Towards the end of the long Neolithic Jōmon period, "flame-rimmed" pottery vessels had sculptural extensions to the rim, [1] and very stylized pottery dogū figures were produced, many with the characteristic "snow-goggle" eyes. During the Kofun period of the 3rd to 6th century ...
t. e. Japanese art consists of a wide range of art styles and media that includes ancient pottery, sculpture, ink painting and calligraphy on silk and paper, ukiyo-e paintings and woodblock prints, ceramics, origami, bonsai, and more recently manga and anime. It has a long history, ranging from the beginnings of human habitation in Japan ...
The Hare with Amber Eyes netsuke, by Masatoshi, Osaka, c.1880, signed. Ivory, amber buffalo horn. A netsuke (根付, [netsɯ̥ke]) is a miniature sculpture, originating in 17th century Japan. Initially a simply-carved button fastener on the cords of an inrō box, netsuke later developed into ornately sculpted objects of craftsmanship.
Unkei (Japanese: 運慶; c. 1150[1] – 1223) was a Japanese sculptor of the Kei school, which flourished in the Kamakura period. He specialized in statues of the Buddha and other important Buddhist figures. Unkei's early works are fairly traditional, similar in style to pieces by his father, Kōkei.
The Haniwa (埴輪) are terracotta clay [2][3] figures that were made for ritual use and buried with the dead as funerary objects during the Kofun period (3rd to 6th centuries AD) of the history of Japan. Haniwa were created according to the wazumi technique, in which mounds of coiled clay were built up to shape the figure, layer by layer. [4]
The Kei school (慶派, Kei-ha) was a Japanese school (style) of Buddhist sculpture which emerged in the early Kamakura period (c. 1200). Based in Nara, it was the dominant school in Buddhist sculpture in Japan into the 14th century, and remained influential until the 19th. Art historian Joan Stanley Baker cites the Kei school's early works as ...
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