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Tecpatl. In the Aztec culture, a tecpatl was a flint or obsidian knife with a lanceolate figure and double-edged blade, with elongated ends. Both ends could be rounded or pointed, but other designs were made with a blade attached to a handle. It can be represented with the top half red, reminiscent of the color of blood, in representations of ...
A drawing from the Catalog of the Royal Armoury of Madrid by the medievalist Achille Jubinal in the 19th century. The original specimen was destroyed by a fire in 1884. The maquahuitl (Classical Nahuatl: māccuahuitl, other orthographic variants include mākkwawitl and mācquahuitl; plural māccuahuimeh), [4] a type of macana, was a common weapon used by the Aztec military forces and other ...
The most common form of human sacrifice was heart-extraction. The Aztec believed that the heart (tona) was both the seat of the individual and a fragment of the Sun's heat (istli). The chacmool was a very important religious tool used during sacrifices. The cut was made in the abdomen and went through the diaphragm.
Weaponry for Native American groups residing in North America can be grouped into five categories: striking weapons, cutting weapons, piercing weapons, defensive weapons, and symbolic weapons. [1] The weaponry varied with proximity to European colonies, with tribes nearer those colonies likelier to have knives and tomahawks with metal components.
The Codex Magliabechiano is a pictorial Aztec codex created during the mid-16th century, in the early Spanish colonial period. It is representative of a set of codices known collectively as the Magliabechiano Group (others in the group include the Codex Tudela and the Codex Ixtlilxochitl). The Codex Magliabechiano is based on an earlier unknown ...
Ītzpāpālōtl. Ītzpāpalōtl[a] ("Obsidian Butterfly") was a goddess in Aztec religion. She was a striking skeletal warrior and death goddess and the queen of the Tzitzimimeh. She ruled over the paradise world of Tamōhuānchān, the paradise of victims of infant mortality and the place identified as where humans were created. [1]
Tlaltecuhtli is typically depicted as a squatting toad-like creature with massive claws, a gaping mouth, and crocodile skin, which represented the surface of the earth. In carvings, her mouth is often shown with a river of blood flowing from it or a flint knife between her teeth, a reference to the human blood she thirsted for.
Annotated image of Xipe Totec sculpture. In Aztec mythology, Xipe Totec (/ ˈ ʃ iː p ə ˈ t oʊ t ɛ k /; Classical Nahuatl: Xīpe Totēc [ˈʃiːpe ˈtoteːk(ʷ)]) or Xipetotec [3] ("Our Lord the Flayed One") [4] was a life-death-rebirth deity, god of agriculture, vegetation, the east, spring, goldsmiths, silversmiths, liberation, deadly warfare, the seasons, [5] and the earth. [6]