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Postlude in D minor for organ, WAB 126/1 (c. 1846) Andante (Prelude) in D minor for organ, WAB 126/2 (c. 1846) Prelude in E flat major for organ, WAB 127 (c. 1835, doubtful authorship, possibly by Johann Baptist Weiss) Four Preludes in E flat major for organ, WAB 128 (c. 1835, doubtful authorship, possibly by Johann Baptist Weiss)
Shadows, 3. Snowflakes, for organ ... transcribed by Camil van Hulse (1958) Seven pieces for the service (petite suite) (1959) Little cycle through the Christian Year for Hammond and Pipe Organs (1960) Three Chorale Preludes (1962) Postlude for solo organ (1962) At the manger in Bethlehem (1962) Organ music for church: eleven pieces for organ ...
Adagio für Orgel (Adagio for organ) - a sketch in B major, which was found in 1953 in a catalog of the Musikautographen-Sammlung of Louis Koch. It is a first draft for the main theme of the Adagio of the Symphony No. 9 – Gesamtausgabe, Band XII/6, No. 7 [5] [14] Seven short organ preludes, WAB 127 & 128, written in c. 1835. [15]
He was trained at the Royal College of Music and was then organ scholar at Selwyn College, Cambridge. He married Ethel Muriel Stokes in 1910. They had three children: Zoe Beatrice Wadely (1912 – 1990) Michael Wadely (1916 – 1999) Beryl Wadely; He was awarded Honorary Fellowship of the Royal School of Church Music in 1947. [1]
The Orgelkids instrument is a mechanical, tracker organ with two octaves (24 keys) and two registers which can be used independently or in combination. Air (wind in organ parlance) is supplied by a hand-pumped bellows. [3] All the materials used are identical to those used in a large pipe organ (such as oak wood and sheep leather). Children ...
The Complete Organ Music by Maurice Duruflé; Organ Music by Marcel Dupré, Volumes 1–2; Percy Whitlock; Priory: Great Postludes; Twentieth Century Organ Masterpieces; John Scott Plays the Organ of St Paul's Cathedral, London; John Scott Plays the Organ of St Giles' Cathedral, Edinburgh; The Buzard Organ in All Saints Episcopal Church ...
Because of the deeply melancholic nature, the B minor affekt, and musical elements of the work, its respective movements are believed by some to have been performed as a prelude and postlude alongside the B minor Cantata Laß, Fürstin, laß noch einen Strahl, BWV 198, which was performed on 17 October 1727 at the University Church in Leipzig as a funeral ode for Christiane Eberhardine, wife ...
The court chapel at the Schloss in Weimar where Bach was court organist. The organ loft is visible at the top of the picture. Early versions of almost all the chorale preludes are thought to date back to 1710–1714, during the period 1708–1717 when Bach served as court organist and Konzertmeister (director of music) in Weimar, at the court of Wilhelm Ernst, Duke of Saxe-Weimar. [2]
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