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Original Pilipino Music, more commonly referred to as OPM, a commercial acronym coined by Danny Javier of the APO Hiking Society, [6] originally referred only to the pop genre of music from the Philippines, predominantly ballads and novelty numbers, that became popular after the wane of its direct 1970s commercial predecessor, Manila sound.
Awit sa Paglikha ng Bagong Pilipinas (English: Hymn to the Creation of a New Philippines), also known by its incipit Tindig! Aking Inang Bayan (English: "Stand! My Motherland"), is a patriotic song written by Filipino composer Felipe Padilla de León. [2]
The discography of MYMP, a Filipino acoustic band, consists of six studio albums, two live albums, two compilation albums, two box sets, one video album, and fifteen singles. The acoustic band had sold 285,700 album sales as of September 2009.
At a time when Filipino music was hardly favored and practically in limbo, the band springboarded Filipino music and started a revolution that we know today as Original Pinoy Music. [9] It was during the '70s that the local music industry was topped by foreign music playing disco and funk sounds. Most local artists would imitate these foreign ...
Regine is the first studio album by Filipino singer-actress Regine Velasquez, released in 1987 by Viva Records in the Philippines in LP, cassette and CD format [1] and later released on 2002 in digital download. [2] The album was produced by Ronnie Henares, also her manager then.
Javier coined the term "OPM" (Original Pinoy Music, Original Philippine Music, Original Pilipino Music), originally referring to the Music of the Philippines and Philippine pop songs, particularly ballads, and any musical composition created by a Filipino that became popular in the Philippines during the late '70s. The term continued to be used ...
"Sa Ugoy ng Duyan" (literally in Tagalog: "In the Rocking of the Cradle"; official English title: "The Sway of the Baby Hammock" [1]) is a Filipino lullaby. The music was composed by Lucio San Pedro while the lyrics were written by Levi Celerio. [1] Both of them were National Artists of the Philippines and this song was their most popular ...
The song is known in the United States because of the Filipino-English lyrics by Tom Spinosa (original lyrics by Dominador Santiago) and Mike Velarde Jr. It was recorded by Cora and Santos Beloy, and released in 1964 by Tri-World Records. [21] This rendition of the song has a 1964 copyright owned by Dexter Music Co.