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1920s Fashion Plates of men, women, and children's fashion from The Metropolitan Museum of Art Libraries; Photographs from the 1920s taken by photographer, Henry Walker at the University of Houston Digital Library Archived 2010-06-25 at the Wayback Machine "1920s - 20th Century Fashion Drawing and Illustration". Fashion, Jewellery & Accessories.
One specific piece of clothing was the sporting pantaloon or the women's bloomer; [4] originally worn in America in the 1850s as a women's suffrage statement by Amelia Bloomer, it turned into the ideal costume for women riding bicycles - an activity that was considered acceptable for women to participate in during the late 19th century. This ...
The fashion for women was all about getting loose. Women wore dresses all day, every day. Day dresses had a drop waist, which was a sash or belt around the low waist or hip and a skirt that hung anywhere from the ankle on up to the knee, never above.
A number of classical music composers, such as those of the School of Paris and Les Six, also flourished at this time. "The musical influence of Paris, dominated first by Debussy and then by Stravinsky, seems to have been almost inescapable for composers in the first four decades of the century."
5. Dressing Up Was Mandatory. Going out to dinner in the 1950s was a formal affair — and both men and women dressed accordingly. Men wore suits and ties, while women donned dresses and heels.
Jazz music, previously restricted to mainly poor African-Americans, broke out as the musical craze of the 1920s. In the 1920s, American jazz music and motor cars were at the centre of a European subculture which began to break the rules of social etiquette and the class system (See also Swing Kids and Flappers).
Classic female blues was an early form of blues music, popular in the 1920s. An amalgam of traditional folk blues and urban theater music, the style is also known as vaudeville blues. Classic blues were performed by female singers accompanied by pianists or small jazz ensembles and were the first blues to be recorded.
It didn't matter if Tame Impala was led by five women or five men, we knew that we wanted that style of music and that band on at that time." Ultimately, the problem with getting more female-led acts onto festival stages is the same problem all industries face in trying to make women more visible players: Sexism is systemic and often subtle.
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