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Rhythm is an aspect of prosody, others being intonation, stress, and tempo of speech. [5] Isochrony refers to rhythmic division of time into equal portions by a language.The idea of was first expressed thus by Kenneth L. Pike in 1945, [6] though the concept of language naturally occurring in chronologically and rhythmically equal measures is found at least as early as 1775 (in Prosodia ...
The stress placed on words within sentences is called sentence stress or prosodic stress. That is one of the three components of prosody , along with rhythm and intonation . It includes phrasal stress (the default emphasis of certain words within phrases or clauses ), and contrastive stress (used to highlight an item, a word or part of a word ...
Intonation and stress work together to highlight important words or syllables for contrast and focus. [21] This is sometimes referred to as the accentual function of prosody. A well-known example is the ambiguous sentence "I never said she stole my money", where there are seven meaning changes depending on which of the seven words is vocally ...
Tone is the use of pitch in language to distinguish lexical or grammatical meaning—that is, to distinguish or to inflect words. [1] All oral languages use pitch to express emotional and other para-linguistic information and to convey emphasis, contrast and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously ...
In linguistics, intonation is the variation in pitch used to indicate the speaker's attitudes and emotions, to highlight or focus an expression, to signal the illocutionary act performed by a sentence, or to regulate the flow of discourse.
These properties can be those of stress, intonation (a single pitch and rhythm contour), or tonal patterns. Prosodic units occur at a hierarchy of levels, from the syllable, the metrical foot and phonological word to the intonational unit (IU) and to a complete utterance. [1]
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Pitch accent is a term used in autosegmental-metrical theory for local intonational features that are associated with particular syllables. Within this framework, pitch accents are distinguished from both the abstract metrical stress and the acoustic stress of a syllable.