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The most usual depiction of the Trinity in Renaissance art depicts God the Father as an old man, usually with a long beard and patriarchal in appearance, sometimes with a triangular halo (as a reference to the Trinity), or with a papal tiara, specially in Northern Renaissance painting. In these depictions The Father may hold a globe or book.
Seated Old Man: c. 1630: Red and black chalk: 14.5 x 14.3 cm: Nationalmuseum, Stockholm: The drawing is related to the etching B325 : Bearded Old Man Seated in an Armchair: 1631: Red chalk on paper: 25 x 17 cm: Private collection, New York: Signed with the monogram RHL and dated 1631 Old Man Seated in an Armchair: 1631: Red chalk, frame line ...
Bust of an old bearded man, looking down, three-quarters right: 1631 B263: 4: Bearded man, in a furred oriental cap and robe [The artist's father?] 1631 B315: 2: Old man with a flowing beard: bust: 1631 B348: 3: The artist's mother seated, in an oriental headdress: half-length: 1631 B349: 2: The artist's mother with her hand on her chest: small ...
Old Man with Fur Coat: 1645: Oil on panel: 110 x 82: Gemäldegalerie, Berlin: 203: The painting was probably cropped on all sides. It may well have had the same size as 204 Old Man with a Stick: 1645: Oil on canvas: 128 x 112: Museu Calouste Gulbenkian, Lisbon: 204: Landscape with a Castle: 1645: Oil on panel: 44.5 x 70: Musée du Louvre, Paris ...
An old statue of Father Time sits on the grounds at Sandringham Estate in Norfolk, England. A clock featuring Father Time, created by Guéret Frêres, Atelier Cartier, and Vincenti et Cie, may be viewed in the Metropolitan Museum of Art. [18] The museum also owns a drawing that is a study for a similar clock. [19]
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Bearded Man with a Beret is a 1630 oil-on-panel painting by the Dutch artist Jan Lievens. Its dimensions are 53.5 cm × 46.3 cm (21.1 in × 18.2 in). [1] The painting is of an old man who is looking up to his right. His lips are parted as if he has been interrupted while speaking.
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