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According to tate.org.uk (see "catalogue entry"): "An early full-face three-quarter-length portrait by Wyndham Lewis of Pound standing created a sensation in the Goupil Gallery Salon of 1919 (96; repr. Charles Marriot, Modern Movements in Painting, 1920, facing p.256, and Frank Rutter, Evolution in Modern Art, 1926, pl.32); it is now lost."
Ezra Pound, taken in London on 22 October 1913 by Alvin Langdon Coburn. It became the frontispiece of Pound's Lustra (1916). It was also published in Coburn's More Men of Mark. New York: Knopf, and London: Duckworth & Co., 1922. OCLC 469521983.
Alvin Langdon Coburn (June 11, 1882 – November 23, 1966) was an early 20th-century photographer who became a key figure in the development of American pictorialism.He became the first major photographer to emphasize the visual potential of elevated viewpoints and later made some of the first completely abstract photographs.
Pound photographed in 1913 by Alvin Langdon Coburn. Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972) was an American poet and critic, a major figure in the early modernist poetry movement, and a collaborator in Fascist Italy and the Salò Republic during World War II.
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Phanopoeia or phanopeia is defined as "a casting of images upon the visual imagination," [1] throwing the object (fixed or moving) on to the visual imagination. In the first publication of these three types, Pound refers to phanopoeia as "imagism." Phanopoeia can be translated without much difficulty, according to Pound.
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Cathay (1915) is a collection of classical Chinese poetry translated into English by modernist poet Ezra Pound based on Ernest Fenollosa's notes that came into Pound's possession in 1913. At first Pound used the notes to translate Noh plays and then to translate Chinese poetry to English, despite a complete lack of knowledge of the Chinese ...