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Image resulting from a glass plate negative showing Devil's Cascade in 1900. A view camera nicknamed "The Mammoth" weighing 1,400 pounds (640 kg) was built by George R. Lawrence in 1899, specifically to photograph "The Alton Limited" train owned by the Chicago & Alton Railway. It took photographs on glass plates measuring 8 feet (2.4 m) × 4.5 ...
Berrys Bay and Goat Island, Sydney, 1875, Charles Bayliss and Bernhardt Holtermann from negative, 136 x 95 cm (4.4 x 3.1 feet. The largest glass plate negatives produced in the nineteenth century appear to have been made in Sydney, Australia, in 1875, and three are held in the Holtermann Collection, State Library of New South Wales.
The collection comprises 35,427 glass plates, ranging in size from 4 to 12 inches (100 to 300 mm), as well as almost 50,000 prints, and forms a detailed photographic record of Thailand (then known as Siam) during the country's period of modernization. [1] The collection was inscribed on the UNESCO Memory of the World Register in 2017. [2]
Negative imprinting is a feature of some film cameras, in which the date, shutter speed and aperture setting are recorded on the negative directly as the film is exposed. The first known version of this process was patented in the United States in 1975, using half-silvered mirrors to direct the readout of a digital clock and mix it with the ...
Early wet-plate collodion portrait of a lady. Collodion glass plate negative: This process was invented by the Englishman Frederick Scott Archer in 1851. While the first process to take advantage of glass plates was the albumen print method, it was quite laborious and was quickly surpassed by the collodion glass plate negative in common use. [3]
Postcards were approaching the height of their popularity at the time when Edward Sankey began printing from his own negatives. His first pictures were taken with a Sanderson half plate stand camera with an f6.3 Ross lens over which was fitted a small roller blind shutter giving “instantaneous” exposures of 1/25th and 1/50th of a second.
Glass plate negatives and ambrotypes are prone to breakage. [1] Deterioration of film negatives, regardless of type, is humidity and temperature dependent. Nitrate film will first fade, then become brittle and sticky. It will then soften, adhere to paper enclosures, and produce an odor. Finally, it will disintegrate into a brown, acrid powder. [18]
The wet plate collodion process was invented just a few years before by Frederick Scott Archer and widely used for glass negatives, but in an ambrotype the collodion image is used as a positive, instead of a negative. When dry, the glass plate was then backed either with black paint, metal, cloth, or paper; this black backing made light areas ...
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