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Wallace Stevens (October 2, 1879 – August 2, 1955) was an American modernist poet. He was born in Reading, Pennsylvania, educated at Harvard and then New York Law School, and spent most of his life working as an executive for an insurance company in Hartford, Connecticut.
The book features a collection of poems containing also the 1948 Stevens long poem of the same name, whose title refers to the aurora borealis, or the "Northern Lights", in the fall. [1] The book collects 32 Stevens poems written between 1947 and 1950, and was his last collection before his 1954 Collected Poems .
The Wallace Stevens Journal is an academic journal established in 1977 and the official publication of The Wallace Stevens Society. It covers the works and life of the American modernist poet Wallace Stevens. The journal is published twice a year by the Johns Hopkins University Press.
The Wallace Stevens Journal has been published by the Wallace Stevens Society since 1979 [9] and its editor, John N. Serio, has collected some of the journal's essays in The Cambridge Companion to Wallace Stevens. An audiobook of his complete public domain poems was completed by Librivox in 2007.
The first displays the influence of haiku and orientalism on Stevens, the second evokes the romantic mystery of night, the third is a wry comment about the duality of the human condition, the dream in the fourth bears comparison to Klee and Chagall, the fifth acknowledges the subtlety of nature, and the sixth associates this subtlety with a ...
The Worms at Heaven's Gate" is a poem from Wallace Stevens' first book of poetry, Harmonium (1923). It was first published in 1916 [ 1 ] and is therefore in the public domain. The Worms at Heaven's Gate
A small-format facsimile edition catalogue, containing reproductions of the etchings, and additionally containing the full text of Wallace Stevens' poem, was published simultaneously with the suite. "This catalogue documents the publication of 'The Blue Guitar', a group of etchings by David Hockney, accompanied here by a poem of Wallace Stevens ...
About this poem Stevens wrote that it was "simply an expression of paganism". [3] Helen Vendler in the Cambridge Companion to Wallace Stevens summarized the poem as Stevens's search for "a systematic truth that could replace the Christianity of his churchgoing childhood." For Vendler, the stratagem which Stevens employs in attempting to ...