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The settings of the Requiem Mass by Marc-Antoine Charpentier (H.234, H.263, H.269, H.427), Luigi Cherubini, Antonin Dvořák, Gabriel Fauré, Maurice Duruflé, John Rutter, Karl Jenkins, Kim André Arnesen and Fredrik Sixten include a "Pie Jesu" as an independent movement. Decidedly, the best known is the "Pie Jesu" from Fauré's Requiem.
The best-known part of Lloyd Webber's Requiem, the "Pie Jesu" segment, combines the traditional Pie Jesu text with that of the Agnus Dei from later in the standard Requiem Mass. It was originally performed by Sarah Brightman , who premiered the selection in 1985 in a duet with boy soprano Paul Miles-Kingston ; a music video of their duet was ...
Page from the manuscript of the Requiem: In paradisum, m. 413, Bibliothèque Nationale, Paris. Gabriel Fauré composed his Requiem in D minor, Op. 48, between 1887 and 1890. The choral-orchestral setting of the shortened Catholic Mass for the Dead in Latin is the best-known of his large works. Its focus is on eternal rest and consolation.
Five of its seven movements are based on text from the Latin Requiem Mass, while the second movement is a setting of "Out of the deep" and the sixth movement is an anthem The Lord is my Shepherd (Psalm 23) which Rutter had earlier written. The first movement combines the Introit and Kyrie, the third is Pie Jesu, with soprano solo. The central ...
Mozart's "Requiem". Spanish Radio and Television Symphony Orchestra and Chorus. Carlos Kalmar, conductor. Live concert with the completion of its well-known unfinished musical score of the musicologist Robert Levin. Fauré's "Requiem". Spanish Radio and Television Symphony Orchestra and Chorus. Petri Sakari, conductor. Live concert. Dvořák's ...
Pie Jesu en ut mineur: Pie Jesu in C minor: for bass and organ: Vocal: sacred — 1898: Panis angelicus en fa majeur: Panis angelicus in F major: for tenor or soprano, string quartet or organ: Vocal: sacred — 1917: Litanies à la Sainte Vierge for voice and organ: Vocal — Les heures for narrator and piano: Vocal — 1841: Ariel for voice ...
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Like Fauré in his Requiem, Duruflé's omits most of the liturgical Dies irae, but sets its part Pie Jesu. He includes Libera me and In Paradisum, from the burial service, again like Fauré, focused on calmness and a meditative character. The central movement, Pie Jesu, has the only solo for the mezzo-soprano.