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An inexpensive alloy that is easily cast and worked, spelter was used from the 1860s in the manufacture of candlesticks, clock cases, tableware, and light fixtures. In the early 20th century, sculptors such as Jacques Limousin used spelter heavily in their manufacture of Art Nouveau and Art Deco figurines and other ornaments.
Franz Xavier Bergman(n) (July 27, 1861 – January 1, 1936) [1] was the owner of a Viennese foundry who produced numerous patinated and cold-painted bronzes, Oriental, erotic, and animal figures, the latter often humanized or whimsical, humorous objets d'art.
Figures reminding townspeople of their rural past proved immensely popular, with images of idealised pleasures and pastimes. However, these pastoral images had been more popular in the 18th century, and became less important as the 19th century went on.
French ormolu mantel clock (around 1800) by Julien Béliard (1758 – died after 1806), Paris.The clock case by Claude Galle (1758–1815) Ormolu (/ ˈ ɔːr m ə ˌ l uː /; from French or moulu 'ground/pounded gold') is the gilding technique of applying finely ground, high-carat gold–mercury amalgam to an object of bronze, and objects finished in this way.
John Lee (1779–1859) by John Watson Gordon. Henry Raeburn (1756–1823) was the first significant artist to pursue his entire career in Scotland. Born in Edinburgh and returning there after a trip to Italy in 1786, he is most famous for his intimate portraits of leading figures in Scottish life, going beyond the aristocracy to lawyers, doctors, professors, writers and ministers, [8] adding ...
There was a revival of the style in the last half of the nineteenth century in France, again at the beginning of the twentieth century, and again in the 1980s. The style survived in Italy longer than in most of Europe, partly because of its Imperial Roman associations, partly because it was revived as a national style of architecture following ...
As the popularity of the figurines increased towards the end of the 19th century, the quality began to decline. [2] Thousands were manufactured but originals in good condition and in their correct pairs are now uncommon. The figures continued to be made until the 1920s and early models are of the better quality.
Landmark environmental portraiture and iconography of the Industrial Revolution and 19th century. [s 1] Two Ways of Life: 1857 Oscar Gustave Rejlander: Wolverhampton, England [22] Albumen print [s 1] La Vallée de l'Huisne (River Scene) 1857 Camille Silvy: Nogent-le-Rotrou, France Albumen print [s 1] Fading Away: 1858 Henry Peach Robinson