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The Virgin Mary Giving the Rosary to St. Dominic and St. Catherine of Siena, Church of Santa Agata in Trastevere, Rome (Bottom of painting: the souls in Purgatory await the prayers of the faithful) Baldassare Franceschini , Saint Catherine of Siena , 17th century, Dulwich Picture Gallery
Saint Catherine of Siena Receiving the Stigmata is an oil-on-canvas painting by the Italian Renaissance painter Domenico Beccafumi, executed c. 1515, now in the Pinacoteca Nazionale di Siena. The painting depicts Catherine of Siena kneeling in front of a crucifix, as she receives the stigmata .
Barna da Siena, c. 1340. Although Saint Catherine of Alexandria was supposed to have lived in the third and fourth centuries, the story of her vision appears first to be found in literature after 1337, over a thousand years after the traditional dating of her death, and ten years before Catherine of Siena was born. [3]
The Church and Monastery of Saint Catherine of Siena (Spanish: Iglesia y Monasterio de Santa Catalina de Siena) is a Catholic church and monastery located between Andahuaylas, Puno and Inambari streets in the neighbourhood of Barrios Altos, part of the historic centre of Lima, Peru.
ESP, bishop of Siena, presents emperor Frederick III with his bride-to-be Eleanora of Portugal at the Porta Camollia in Siena. ESP receives the cardinal's hat in 1456; ESP, enters the Lateran as pontiff in 1458; Pius II convokes a Diet of Princes at Mantua to proclaim a new crusade in 1459; Pius II canonizes Saint Catherine of Siena in 1461
Laura Montoya, in full María Laura de Jesús Montoya Upegui (26 May 1874 – 21 October 1949), religious name Laura of Saint Catherine of Siena, was a Colombian Roman Catholic religious sister and the founder of the Congregation of the Missionary Sisters of the Immaculate Virgin Mary and Saint Catherine of Siena (1914). [1]
This church is indissolubly linked to the history of the Archconfraternity of Siena in Rome, to which it still belongs. A sizable Sienese community in Rome was established at the end of the 14th century, and first used the church of Santa Maria in Monterone as its home before shifting to Santa Maria sopra Minerva (site of Catherine of Siena's tomb) around the middle of the 15th century.
Within the chapel, there are a further two sculptures by artists from Bernini's workshop - a St Catherine of Siena by Ercole Ferrata and a St Bernard of Siena by Antonio Raggi. The chapel as a whole was designed by Bernini. [2] Scholars have emphasised the mystical experience being undergone by the figures.
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