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After 1960 he became more interested in philosophies of music history, due in large part to his publication of a general music history textbook, A History of Western Music. A ninth edition of the book was published in 2014; after Grout's death, the new editions were revised by Claude Palisca and J. Peter Burkholder. [2]
Since 2001, he has written and revised A History of Western Music and the corresponding Norton Anthology of Western Music after the deaths of the previous authors, Donald Jay Grout and Claude V. Palisca. A History of Western Music is an English-language general survey of music history used at colleges and universities around the world ...
According to Grout's A History of Western Music (1996), common musical instruments of this time period included: harps, imported to continental Europe from Ireland and Britain sometime before the ninth century; Vielle, a prototype of the Renaissance viol and modern viola with five strings, one of which was a drone, popular amongst the jongleurs ...
Palisca is best known for co-writing (with Donald Jay Grout) the standard textbook A History of Western Music (3rd–6th editions, 1980–2001), as well as for his substantial body of work on the history of music theory in the Renaissance, reflected in his editorship of the Yale Music Theory in Translation series and in the book Humanism in ...
Of Poetry and Music's Power: Humanism and the Creation of Opera. Ann Arbor, MI: UMI Research Press, 1980. 371 pp. Musical Humanism and Its Legacy: Essays in Honor of Claude V. Palisca. Stuyvesant, NY: Pendragon, 1992. 543 pp. Concise History of Western Music. Based on Grout/Palisca, A History of Western Music. Norton, 1998. 585 pp. Second ...
Western music is a form of music composed by and about the people who settled and worked throughout the Western United States and Western Canada. Western music celebrates the lifestyle of the cowboy on the open range, along the Rocky Mountains , and among the prairies of Western North America.
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In Monteverdi's hands, according to music historian Donald Jay Grout, "the new form [of opera] passed out of the experimental stage, acquiring ... a power and depth of expression that makes his music dramas still living works after more than three hundred years". [1]