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The Jack S. Blanton Museum of Art (often referred to as the Blanton or the BMA) at the University of Texas at Austin is one of the largest university art museums in the U.S. with 189,340 square feet devoted to temporary exhibitions, permanent collection galleries, storage, administrative offices, classrooms, a print study room, an auditorium, shop, and cafe.
Luckily for Austin, the Blanton could rely on its own collection — as well as on works promised to the University of Texas museum — for the small current exhibition "Long Live Surrealism! 1924 ...
In January 2015, Kelly gave to the Blanton Museum the design concept for a 2,715 square feet (252.2 m 2) stone building that he subsequently named Austin. Kelly said that the design of the building was inspired by Romanesque and Byzantine art he studied while in Paris on the G.I. Bill. Following Kelly's gift, the Blanton launched a $15 million ...
Herbert and Dorothy Vogel. Herbert Vogel (August 16, 1922 – July 22, 2012) and Dorothy Vogel (born 1935), once described as "proletarian art collectors," [1] worked as civil servants in New York City for more than a half-century while amassing what has been called one of the most important post-1960s art collections in the United States, [2] mostly of minimalist and conceptual art. [3]
Kota Ezawa (born 1969, Cologne, Germany) is a Japanese-German American visual artist widely recognized for his artworks in which the subject is a source image, film, or news footage that Ezawa has redrawn in his distinctive visual style and remade as a video, mural, light box, sculpture, or in another medium.
The National Gallery of Art is an art museum in Washington, D.C., United States, located on the National Mall, between 3rd and 9th Streets, at Constitution Avenue NW. Open to the public and free of charge, the museum was privately established in 1937 for the American people by a joint resolution of the United States Congress.
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Scriptorium was exhibited in Desire at The Blanton Museum of Art at the University of Texas at Austin. [4] It then traveled to the Kunsthallen Brandts in Odense, Denmark [5] before returning to the U.S. for the inaugural Chelsea exhibition at DC Moore Gallery in 2011. It was exhibited at the La Jolla Athenaeum in California in summer 2012.