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The Master and Margarita (Russian: Мастер и Маргарита, romanized: Master i Margarita) is a Russian fantasy-drama film directed by Michael Lockshin and based on Mikhail Bulgakov's novel of the same name. [3]
The Master and Margarita (Russian: Мастер и Маргарита, romanized: Master i Margarita) is a Russian television mini-series produced by Russian television channel Telekanal Rossiya. based on the novel of the same name, written by Soviet writer Mikhail Bulgakov between 1928 and 1940.
The Master and Margarita (Russian: Мастер и Маргарита) is a novel by Mikhail Bulgakov, written in the Soviet Union between 1928 and 1940. [1] A censored version, with several chapters cut by editors, was published in Moscow magazine in 1966–1967, after the writer's death on March 10, 1940, by his widow Elena Bulgakova (Russian: Елена Булгакова).
The Master is encouraged by his muse Margarita (Snigir) to write the novel, despite the fact it is unlikely ever to be published and even its existence could cause the couple to fall afoul of the ...
Behemoth the Cat (Russian: кот Бегемот) is a character from the novel The Master and Margarita by the Russian writer Mikhail Bulgakov.He is an enormous (said to be as large as a hog) demonic black cat who speaks, walks on two legs, and can even transform to human shape for brief periods.
The Master and Margaret (Serbo-Croatian: Мајстор и Маргарита, Majstor i Margarita, Italian: Il maestro e Margherita) is a 1972 Italian-Yugoslav fantasy drama film directed by Aleksandar Petrović, loosely based on Mikhail Bulgakov's 1940 novel of the same name, although it mainly focuses on the parts of the novel set in 1920s Moscow.
Baz Luhrmann is no longer attached to the long-awaited English-language adaptation of Russian novel “The Master and Margarita,” Variety has learned. A seminal 20th century novel, Bulgakov ...
The pageantry is over; only the awards themselves remain a mystery for the moment. Masters returned to, if not top form, then a vigorous facsimile of same, or — even better — something wholly new.
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