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Live! 8-24-1979 is the second official live album by American new wave band The B-52s. [1] The concert was recorded on August 24, 1979 at the Berklee Performance Center in Boston, Massachusetts, before the release of their second album.
The B-52's US$72,000 cost per hour of flight is more than the B-1B's US$63,000 cost per hour, but less than the B-2's US$135,000 per hour. [ 232 ] The Long Range Strike Bomber program is intended to yield a stealthy successor for the B-52 and B-1 that would begin service in the 2020s; it is intended to produce 80 to 100 aircraft.
Funplex is the seventh studio album (eighth overall) by the B-52s, recorded during 2006 and 2007.The album was released on March 25, 2008, by Astralwerks Records. [12] It was the first album of new material the group had released since Good Stuff in 1992, although the band did record two new songs for their 1998 compilation album Time Capsule: Songs for a Future Generation.
The main melody of "Give Me Back My Man" was incorporated into the "Weird Al" Yankovic song "Mr. Popeil" from the studio album "Weird Al" Yankovic in 3-D (1984), along with female backing vocals that imitate some of the mannerisms of Kate Pierson and Cindy Wilson.
with the audience (a name derived from Maureen ("Mo") Dean, wife of Watergate scandal lawyer John Dean, but here used as the name of an imaginary alien prankster). [2] He would alternate between this and asking the audience if there were any questions — but unable to make out the responses, he would instead just invent questions on his own ...
The Boeing B-52 Stratofortress is a long-range, subsonic, jet-powered, strategic bomber operated by the United States Air Force (USAF) since 1955. The B-52A first flew in 1954, and the B model entered service in 1955. A total of 744 B-52s were built with the last, a B-52H, delivered in October 1962.
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"Dance This Mess Around" is a song by American new wave band The B-52's.It was released in 1979, as the third and final single from their self-titled debut album.The song features Cindy Wilson on lead vocals, as well as Fred Schneider and Kate Pierson, and has become a live favorite, even 40 years after its release.