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The two main four-string Selmer models were a regular tenor guitar with a smaller body and a 23 inch scale length for standard CGDA tuning, and the Eddie Freeman Special, with a larger body and a longer 25.5-inch scale length, using a reentrant tuning for the A string which was designed by English tenor banjoist Eddie Freeman to have a better ...
A variety of tunings are used for the four string tenor guitar, including a relatively small number of re-entrant tunings. One example of a re-entrant tuning for tenor guitar is D 4 –G 3 –B 3 –E 4 with strings 3–1 as for the normal 6-string guitar, but string 4 tuned to D an octave above the 4th string of the 6 string guitar.
Two styles of mandolin-banjo, showing a large and small head, with a full size, four-string banjo (bottom). L-R - Banjo-mandolin, standard mandolin, 3-course mandolin, Tenor mandola. The mandolin-banjo is a hybrid instrument, combining a banjo body with the neck and tuning of a mandolin. It is a soprano banjo. [1]
Essentially a 4-string bass with one added high or low string. Choice of tuning depends whether the added string is low or high. Guitar, bass (6-string) 6 strings 6 courses. Standard/common: B 0 E 1 A 1 D 2 G 2 C 3. Alternate: E 1 A 1 D 2 G 2 B 2 E 3. Bass, electric bass, 6-string bass, contrabass guitar Essentially a 4-string bass with either ...
The standard tuning, without the top E string attached. Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D).
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Jazz guitarist Carl Kress used a variation of all-fifths tuning—with the bottom four strings in fifths, and the top two strings in thirds, resulting in B ♭ 1 –F 2 –C 3 –G 3 –B 3 –D 4. This facilitated tenor banjo chord shapes on the bottom four strings and plectrum banjo chord shapes on the top four strings.
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